Visionary Art is…

Visionary Art

Net of Being By Alex Grey

Net of Being By Alex Grey
http://www.alexgrey.com

 

Visionary art is an artistic style which pays homage to the mystical experience and the transcendent spiritual wisdom of humanity.  The art emerges out of the artist’s inner journey into the realms of collective vision and their personal insights and experiences. The vision is then used as inspiration for the work of art and for self-realization. Once completed the art is an expression of the inner journey, a catalyst to trigger transformative experiences in the viewer. It is a form of prayer and surrendering to a mystical state of consciousness.  Robert Venosa put it simply by referred to his art as “the transcendental mirror”; the transcendent images reflect the transcendent aspects of the viewer and leave the residue of this visionary reality in the mind of the beholder.

The visionary artists are making a powerful statement about the value of the inner reality and the power of mystical experiences to transform and uplift the world. The visionary community sees the primary mystical experience as being the core of all spiritual traditions. As time progresses and cultures change new archetypes are created to express transcendent experience.  The new archetypes reflect the contemporary expedition into this other inner dimension of being through contemporary means. Visionary artists, like the ones featured in this blog, are making a statement about the positive and challenging aspects of visionary experiences and validating the reality of this internal experience. This artistic and visual validation of the transcendant is in agreement with new medical research showing the healing power of extra-ordinary states of consciousness especially with psilocybin or MDMA guided psychotherapy.

This visionary artwork is truly a product of an emerging spiritual movement based on direct experience; many of the symbols used to describe the indescribable mystical reality are often inspired by spiritual traditions of the whole Earth. The ability to experience global spiritual culture is a radical shift from 40 years ago, this phenomenon is shaping the way spiritualism is approached and is changing the dialogue about the fundamental nature of reality.

Essential Love by Anderson Debernardi

Essential Love by Anderson Debernardi

The core of spiritualism in visionary art is in the direct experience of the infinite reality, where all is one, space-time and self are transcended. This is in agreement with the teachings of Tantra, Buddhism, indigenous leaders, and parallels theories emerging from quantum physicists. Today many have created their own religions or spiritual path by drawing inspiration from ancient traditions. This spiritualism based on the inner journey is expressed in visionary art. The experience of creating the artwork is similar to prayer as it connects the artist to the inner consciousness and can evoke powerful non-ordinary states of consciousness in the viewer and or creator of the art.

The creative vision of this community goes far beyond the flat surface of the canvas. Interactive festivals like Burning Man, Boom Festival, Envision, symbiosis are intentional electronic music driven festivals; Desert Daze for psych rockers and other intentional gatherings are an outcropping of this new dynamic and creative arts community. These artists are looking to create installation art, video art, architecture, music, light shows, dance, festivals and other forms of expression. Short intentional gatherings create a visionary space and become a place in which personal transformation, spiritual journey, enthogenic inspired dance and performance can combine with a supportive community. Once the gathering is over they leave no physical trace all that remains are the images, memories and the art.

Albert Hoffman by Alex Grey www.alexgrey.com

Albert Hoffman by Alex Grey
http://www.alexgrey.com

To achieve these inspirational experiences of personal transformation and mystical revelry  a combination of means are utilized by visionary artists including art, dance, music, prayer, meditation, yoga, psychedelics and other ‘technologies of the scared’. These experiences are often evoked through an entheogenic state of mind, many people refer to entheogens as being psychedelic substances but truly, Entheogen is a term meaning god seeking or evoking the mystical reality. Therefore, a visionary work of art is created in an entheogenic state of mind wheather induced by consumation of plants and substances or through inner means.  The difference between ingesting a psychedelic substance and taking an entheogen is in the intention; if one is using an entheogen they are seeking unity and spiritual communion with the divine but if one is using a psychedelic they are simply consuming a substance without the intention of inner exploration.  Ironically, the casual psychedelic user will still often enter entheogenic states of consciousness especially when exposed to visionary or healing arts.

Burning man

Many people when viewing visionary art recognize the landscapes the artists are rendering for their own experiences, this suggesting that realms of this other dimension can be similar for people around the world and this similarity of world creative vision is called archetype and has been the subject of intense academic study. Visionary art validates a parallel dimension of being known in western psychology as the transpersonal, this is literally another world different from our material reality which is found by traveling inward. Visionary art suggest that this otherworld really exists because the artist can go there and render its archetypal image and others recognize and relate to the art. The art validates this reality and the artist produces data for the scientists and others exploring this other dimension of human consciousness.

Visionary arts is inseparable from the healing arts, prayer, meditation, yoga and shamanism; they all encourage the movement toward wholeness. All the world’s religions have utilized sacred arts to uplift and inspire the best parts of ourselves.  The Earth is rapidly transforming into a place which may not be habitable by humans because of our ignorance about the interconnection of all life. The religious and mystical experience reveals in heart shattering glory, the oneness of existence.  The great yogis and shaman of the world all affirm that we are all united on this earth and in the web of life. The recognition of this primal truth has powerful healing and transformative potential. Visionary art plays a powerful role exposing the public to a contemporary expression of this mystic interrelatedness through arts which mirror the transcendent.

Unicornio Dorado By Pablo Amaringo

Unicornio Dorado By Pablo Amaringo

Unicornio Dorado By Pablo Amaringo.  Featured in the book ‘The Ayahuasca Visions of Pablo Amaringo’ by Howard G Charing; Peter Cloudsley

Unicornio Dorado By Pablo Amaringo. Featured in the book ‘The Ayahuasca Visions of Pablo Amaringo’ by Howard G Charing; Peter Cloudsley

 

By: Transpersonal Spirit

 

Biblography:

Transpersonalspirit.wordpress.com

http://www.realitysandwich.com/slideshow/robert_venosa).

Grof, Stanislav. The Cosmic Game Explorations of the Frontiers of Human Consciousness. State University of New York Press. 1998.

http://beinart.org/info/essays/maura-holden-tsunami.php

http://lila.info/on-visionary-art-and-on-drawing/ Rob Percival 2010

http://www.lcaruana.com/webtext/shop.text/first.man.eng.text/first.man.eng.sample.pages.html

http://www.alexgrey.com

 

 

 

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Personal Spiritual Quest: Psychedelic Spirituality, Shamanism and Yoga

Personal Spiritual Quest: Psychedelic Spirituality, Shamanism and Yoga.

Alpha Centauri By Luke Brown. Multi-media.

Alpha Centauri By Luke Brown. Multi-media.

The spiritual quest has been at the core of everything I have done in my life. Spirituality is the examination of who we are personally and expansively and why we are on Earth and what we can do about it. Although I have only reached 31 years of life on Earth I have continuously followed my own spiritual path. I have spent time with many spiritually wise persons from many cultures around the world and studied hundreds of books and resources on world religions. There is a universal message between the teacher’s and that is respect for all life, humility and the conversation between you and the divine is a personal conversation.

In my experience there is no need to cling hard and fast to one branch of a specific tradition and stick with it for life. This kind of specificity is common in many spiritual and religious individuals but this kind of commitment may not be required to develop profound respect for life, humility and to remember our connection with infinity.   Each person has an individual path which only they can traverse. That path can include in-depth commitment to some particular teaching, study or community. The path can also be creative and highly individualized mixing and blending the wise words from cultures and intellectuals around the world into our own personal context.

The important thing is that whatever practice is important and meaningful to you is the thing to do. The power in any practice is our focus and intention. The personal connection to what you are doing and the reason for doing it is what gives it the power to transform our body, mind and open our spiritual reality. Our destiny is a field of possibility which is affected by our past, present and future and the choices we make. There are many practices which can help to develop personal control over our mind and this can increase the potency of our practice. The shamans of Peru remind us that we dream reality into being in every moment. The master Yogis say we must learn to control the mind and body to find stillness and transcend into infinity. Rolling Thunder a North American indigenous medicine man says that the preliminary step to study become a medicine person is the ability to recognize any bad thought and put it out like the flame of a candle.

There is certainly a connection between the body, mind and spirit. In advanced yoga they are instructed to withdraw all the senses into the body, then to withdraw the mind into the heart to still all thought then in that heart cave we can hear the voice of the divine. This kind of bodily control extends into the extraordinary feats like being able to change heart rate, brain wave pattern, body temperature and to stop the breath all together for extended times (do not try at home). However, these accomplishments are but dangers along the path as they distract us anyway from the deepest reality and stir our thoughts. The way these yogic masters accomplish such feats is through a systematic practice which revolves around understanding and affecting the flow of life force or prana which is behind everything in existence.

The life-force concept is seen in cultures around the world and it is said to be the transcendent force which is also the fabric of existence. This force flows through the body as blood, oxygen, lymph, energy, the nervous system electrical current, the DNA, the whole vibrational spectrum of human existence. The shaman, yogis and mystics each use the life force as a way to deepen their awareness linking the body and mind into the realms of spirit. This life force can bring us into another dimension far beyond what is familiar in normal waking consciousness. The universe imagined and unimagined is united in life force and we are intrinsically linked to all existence through this ever present stream of life.

Alex_Grey-Psychic_Energy_Sy

The mystical visions of the transcendent realms are not common in literature produced by European culture in the last 1000 years or so, perhaps due to religious fundamentalism which lead to the death of millions. Even with-in that context saints with-in the Catholic Church still experienced divine ecstasy. In recent history American and European cultures have begun integrating these kinds of transcendent experiences back into their lives. Through the practice of meditation, yoga, shamanism, creativity and sometimes spontaneously people will slip into the realms beyond material reality and gain an overwhelming ecstasy they describe as sacred. Psychedelics are a major player in this shift in perspective as these ancient medicines link us back to the prophetic visions of paradise.

Parallel to those stories is the unbroken lineage of indigenous communities around the world who have long held traditions which evoke spiritual ecstasy through nature, community and ingestion of plants. Nature is the gospel to these communities and many hold a long tradition of using sacred plants. All life is sacred but there are some plants which are particularly helpful to human spiritual well-being. These plants have been called entheogens (‘invokes the divine’) and psychedelics (Mind manifesting) in the West. These entheogen plants are sacraments in a spiritual tradition which is cross cultural and goes back to the beginning of human kind and even involves the Neanderthals. This cross cultural shamanic tradition holds the spirits of the plants to be their primary teachers. The plants show them what to do and the spirits do the doctoring when healing. One could say there is an intelligent life force associated with the plant and through honoring it we gain access to the worlds of consciousness inhabited by the plant spirit or intelligence. This other realm is known as the otherworld, spirit world and the realm beyond death.

This shamanic tradition is at the root of all religions as it predates organized religion by thousands of years. Nature is been the living presence of the divine and through nature humanity can gain great knowledge and wisdom which is applicable to holistic well-being. In ancient India the spiritual culture which one can call shamanic yoga or pre-hindu religion is at the root of current spiritualism. This ancient shamanic tradition also spoke of the devis or spirits with-in each plants, rock, and drop of water (from the Rig Veda oldest known spiritual text in human history). It also used ritual, trance and plants to transcend.

There is a foundation in human consciousness which is drawn to this world of spirit and this ancient imprint is left from millions of years of evolution and is still present and active in humans. The shaman, the yogis, the Buddhists all utilize practices which focus intention, bring greater awareness to the unseen forces in life and utilize states of extraordinary consciousness.

Today in the scientific community psychedelic plants like marijuana, MDMA, LSD, psilocybin (magic mushrooms), DMT and Ayahuasca are showing tremendous promise as healing medicine in the right setting. These studies started in the 1940’s stopped in 1970’s and started again in the 1990’s. These studies show that these psychedelic substances which have been taboo and illegal are the most effective treatment known for certain “untreatable” kinds of PTSD. The interesting thing about these studies is that many subjects who gain extraordinary healing do so by going through a mystical experience of the sacred. They describe transcending into the hands of god, being united with all life, all is light, or communicating with divine intelligences like angels, aliens or other spirit beings.

The direct spiritual experience or the mystical experience is the basis of most spiritual traditions. In many cultures around the world the demonization of psychedelics never occurred and they have a long history of using these plants as healing tools and as spiritual teachers in the context of their medicine ways and community. The beautiful thing that is occurring now in Peru for example is the communication between Westerners and Indigenous medicine people because of the sacred plant medicines especially Ayahuasca. Many of these shaman are not able to continue their lineage of knowledge as in the old days with modern transportation and children looking for lives beyond the fast disappearing jungles. This pressure is allowing much of this body of knowledge to be brought to scientifically minded contemporary peoples with jobs and lives outside the ancient forests.

Jehua Supai  - Featured in the book 'The Ayahuasca Visions of Pablo Amaringo' by Howard G Charing &; Peter Cloudsley

Jehua Supai – Featured in the book ‘The Ayahuasca Visions of Pablo Amaringo’ by Howard G Charing &; Peter Cloudsley

Ayahuasca is important for another reason because DMT is one of the primary psychoactive neurotransmitter in the brew. DMT is produced in the human body naturally as well. This important link is highlighted by the fact that pure DMT causes people to go into a kind of lucid dream state where they go to parallel dimensions of existence. These explorations into these parallel dimensions often involve connection with infinity, spirt beings, crystal cities and more. For more on this Pablo Amaringo’s artwork and Rick Strassman’s book DMT Spirit Molecule are great resources.

Spirituality is now developing a new language through which to understand these most dynamic and ethereal questions. Rick Strassman PH.D has put forth the term Theoneurology meaning, “The brain is the agent through which God communicates with humans (Strassman 2014).” Research into psychedelics is revealing what happens in the brain during mystical states of consciousness. The term psychointegrator has been proposed by Luis Edwuardo Luna and others to describe psychedelic plants because studes and brain scans show psilocybin causes nearly 100 times more interconnection between various regions of the brain. Furthermore, under the influence many regions of the brain become less active leading to the theory that the brain is a filter for the overwhelming stimulus around us and when it is calmed the brain integrates and can experience the divine.

We are headed toward a new understanding of spiritualism and to a great degree we can see how racism and religious persecution continues to hinder spiritual development to this day. Does using a non-harming plant medicine in a ritual setting for spiritual or religious reasons constitute and illegal act or should it be protected citing the constitution. The answer is for some its legal for others it is illegal. This paradigm is going to have to change in order to uphold the constitution and to live in a democratic society which accepts diversity and cross cultural communication. Freedom of religion cannot exist without protecting sacred land and without free access to plant medicines.

hasam hisim - 1

hasam hisim – 1

 

In all this we are to find our own way to the spiritual heights we seek. This can only be done by following that which supports our lives and is meaningful to us. When a prayer or a practice feels meaningless it is not worth doing because the passion of your soul is not in it. Do not however fall into the trap that says the spiritual path should be easy because it is not. Many times when we are closest to god we are in fact suffering. Many people deprive themselves of enjoyable things simply to suffer to come closer to god like fasting, sundance or a psychedelic ceremony.

Alex Grey is an example of a spiritualist who has followed his vision to become one of the world’s most well-known painters. He has gone as far as to say that he honors the direct spiritual experience and mystical visions by making art; thus his art is sacredly inspired and is his deepest prayer to humanity and the divine. Others have found they can share their teaching through mediation, offering the healing arts, music, raising a family, pursuing a spiritual life and bettering the world.

There is no model upon which to build our personal inner temple but rather we have to build it and explore the territory with our own determination. With practice, concentration and non-judgment we can learn anything in life and develop a personal spiritual tradition informed by what inspires and moves us. The mystical union with the divine is not always the focus of our practice, however, the ever flowing divine life force is inseparable from who we truly are.

 

Tantric Marriage By: George Atherton

Tantric Marriage By: George Atherton

By: Transpersonal Spirit

 

Bibliography:

Strassman, Rick,   DMT Spirit Molecule: A Doctors Revolutionary Research into the Biology of Near-Death and Mystical Experiences. Park Street Press. Rochester, Vermont. 2001.

Strassman, Rick, Slawek Wojtowicz, Luis Eduardo Luna and Ede Frecska. Inner Paths to Outer Space: Journeys to Alien Worlds Though Psychedelics and Other Spiritual Technologies. Park Street Press Rochester, Vermont. 2008.

Strassman, Rick. DMT and the Soul of Prophecy: Anew Science of Spiritual Revelation in the Hebrew Bible. Park Street Press. 2014.

Grey, Alex. Net of Being. Cosm press. 2012.

Rolling Thunder. Rolling Thunder Speaks A Message for Turtle Island. Clear light Publishers Santa Fe NM, 1999.

Swami satyananda Saraswati. Kundalini tantra. Yoga publication trust, Meunger, Bihar, India. 1984, 2007.

Transpersonalspirit.wordpress.com all writing by Nathan P Rose. 2011 – 2015.

Plant Spirit Communication

The spiritual and healing power of plants cannot be denied. How could any human live without the help of the plants? They give us food, medicine, oxygen and so much more. Plants have the power to heal the body, mind and spirit. The study of plant medicine has been ongoing since prehistory and highly developed in the medical systems in India (Ayurveda), China (TCM) and in the western world. Indigenous communities throughout history have developed holistic sciences of botanical healing cross culturally using local plants. We now know many of the chemical constituents of the healing plants and can use many varieties of preparations to aid in healing. Many of these plants have been the foundation for development of pharmaceutical medications.

Juan Carlos Taminchi

Juan Carlos Taminchi

In many indigenous communities plants can play a central role in their traditional and contemporary religious practices. The Native American Church (N.A.C.) uses the sacred sacrament peyote internally and the religion itself could not exist without this central plant teacher. There are many examples of societies using other plant medicines as a sacred sacrament in their spiritual traditions such as ayahuasca, san pedro, datura, marijuana and other lesser known plants. In these cultures the physical plant itself is not the focus but rather the plant is integrated into a complex ritual and spiritual structure. The view of plant medicines as a packet of chemicals which have a certain effect on human chemistry is a contemporary idea which is just now influencing some of the medicine people around the world. Traditional medicine inside indigenous communities focuses on a holistic framework which involves communing with the sacred plant spirits in a special set and setting.

In these indigenous communities the focus is not the material plant but rather on the spirit world. The concept of spirits is difficult to understand in western society because there are no equivalent concepts in modern western worldviews. Every plant has a spirit associated with it, these spirits are not a metaphor but rather they are real intelligences within the plants and all things. The spirits are many and the sacramental use of plants is based in ceremony, ritual, song and communication with the spirit world. These various elements of the ceremony all bring in certain spirits whom are called by the medicine people through the songs, ritual objects and plants. These spirits hear the prayers of the participants and work in the spiritual dimension to bring about the desired healing.

Caught in the Web By Martina Hoffman

Caught in the Web By Martina Hoffman

The plants spirits often remind us that we are just humans and have limited influence but the spirits are powerful and can make magic and miracles happen. Healing in this way comes in the form of psychological, spiritual, physical healing as well as helping with anything in life. If one has no job and asks for a job in these ceremonies they will honor and pray to the spirits to help them get a job. This is part of the healing medicine and is essential to balance the health of the community and the individual. Some wish to see the future or to find happiness and love; others are there to gain power to help others heal or to make peace with a deceased relation. Plants are used to determine the future, to find the cause of disease, to find lost objects, to bring wealth, health and spiritual well-being amongst many other attainments. The central power of the healing medicine is not in the hands of the medicine people who guide the healing rites but is determined by the spirits.

In Plant Spirit Shamanism by Ross Heaven and Howard G. Charing they quote a Santeria priest saying, “As long as the diviner is in good standing with the gods and at one with the plants, he will find the answer his client needs (35).” This clearly illustrates the point that the person leading the healing needs to be connected with the intelligence of the plant and with the various spirits and gods. The plant and the spirits are not mythological beings, archetypes or fantasies but rather they are living creatures with intelligent who can communicate with those who develop an honorable relationship with the plants.

The Secret Life of Plants by Peter Tompkins and Christopher Bird goes into great detail about many researchers who use biofeedback machines to study the reactions of plants to their surroundings. Clive Backster began to use polygraph equipment to study plants while he worked as an expert in police investigation. By attaching the electrodes to plants he measured the surface tension of the leaves and determined how the plant responded to the stimulus in the same way that a polygraph is used in police interrogation for lie detection. When he would bring a burning match close to a plant it would have a dramatic response with the needle dramatically spiking and waving. Backster began to notice that the response on the polygraph machine occurred when he thought of harming the plant before any physical action was taken. This was repeatedly found in many different plants and all seemed to respond to human thought. The plants also showed reactions to the environment such as the movement of spiders in the room.

Yvonne McGillivary

Yvonne McGillivary

The plants also responded to human emotion. For example, Backster cut his finger and the plant responded as though shocked by the appearance of distress and blood. Later, he discovered that plants developed a connection to their owner and could sense their distress even when they were far away. When Backster walked several blocks away and thought lovingly of the plants they would respond. He repeated the test with friends and their plants would respond much the same way even at a distance of 700 miles. In this test the plants were placed inside a lead container which blocked all electromagnetic energy. He concluded that plants have tremendous awareness and intelligence and they were detecting some force which was outside the electromagnetic spectrum.

Alfred Vogal conducted similar experiments and ultimately came to this conclusion, “Man can and does communicate with plant life…Plants…may be blind deaf and dumb in the human sense, but there is no doubt in my mind that they are extremely sensitive…they radiate energy forces that are beneficial to man. One can feel those forces! They feed into one’s own force-field, which in turn feeds energy back to the plant (43).”

This extreme sensitivity of plants has been further explored by a group of Italians in a unique community known as Damanhur. They have conducted research on plants by attaching electrodes to leaves and routing the signals into a synthesizer instead of the standard polygraph which uses needles which draw lines on paper. They have been perfecting this technology since 1976 and have come to similar conclusions. The observed the plants becoming aware that they are producing the music in the room and begin to make it more harmonious and musical. If multiple plants are hooked up to these machines in the same space they will begin to make music in harmony with one another. If a human preforms music in the room the plants will respond to the human as well. The Damanhurians have videos of humans making music with the plants. When the machine is attached to wild plants in their natural environment they respond to what is around them the weather, animals ect. For example when a storm is approaching the music of the plants will be more chaotic and frantic then it is on a sunny day. (http://www.damanhur.org/philosophy-a-research/research/1429-the-music-of-the-plants)

Damanhur Temples of Humankind. Hall of Earth

Damanhur Temples of Humankind. Hall of Earth

All this suggests that plant have a great deal of intelligence, creativity and psychic powers as well. In other words, the spirit of the plant is very sensitive to humans and their intentions. The medicine people working with sacred plants develop the knowledge of how to communicate with the plants through their traditions, rituals and personal experiences. Ways of honoring the spirits of the plant are developed over millennium and passed down generation to generation. A strong line of communication between the medicine person and the plant spirit develops into a complex ceremonial and ritual structure which is used for greater connection to the universal life force or the Great Spirit. The connection to the supreme life force and its various messengers allows one to become more complete and integrated with the larger universe. This connection to the whole of existence brings about spiritual realization and healing. A medicine man once told me, “Healing is the remembrance of our divinity.”

By: Transpersonal Spirit

Bibliography

Heaven, Ross; Charing, Howard G. Forward by Pablo Amaringo. Plant Spirit Shamanism: Traditional Techniques for Healing the Soul. Destiny Books . Rochester, VT. 2006.

http://www.damanhur.org/philosophy-a-research/research/1429-the-music-of-the-plants

http://www.damanhur.org/philosophy-a-research/research/1807-plant-research-and-experiments

 

Nasir-Al-Mulk-mosque Sacred Architecture

 

Nasir Al-Mulk Mosque

 

Mohammad Reza Domiri Ganji - Nasir al-mulk mosque

Mohammad Reza Domiri Ganji – Nasir al-mulk mosque http://gravity.ir/

 

The interior space of Nasir Al-Mulk Mosque is amazing with visual patterns which seem to come from another dimension. In the Early morning the wall of stained glass illuminates the space with shifting otherworldly colors refracting against the patterned interior. This mosque is still used for worship today.

This mosque is wholly inspired by the spiritual dimension of existence. Its appearance is similar to many works of psychedelic and visionary art from around the world. The spiraling domes, textured fractal ornamentation, the geometric pattern becomes much like optic art which seems to trick the eye through overwhelming beauty and complexity.

Mohammad Reza Domiri Ganji - Nasir al-Mulk ceiling

Mohammad Reza Domiri Ganji – Nasir al-Mulk ceiling http://gravity.ir/

Mohammad Reza Domiri Ganji - nasir-almulk-fisheye---Shiraz

Mohammad Reza Domiri Ganji – nasir-almulk-fisheye—Shiraz http://gravity.ir/

In Early morning you can see colored lights coming inside mosque. The best time for visiting this place is in beginning of winter and about 8-9am. The light coming through the windows first leans to the left of the mosque and as the morning progresses moves to the right.

Located in Shiraz Iran it is known as the Pink Mosque some also call it the rainbow mosque. Its construction was begun in 1876 and completed in 1888 designed by Muhammad Hasan-e-Memer and Muhammas Reza Kashi Paz-e-Shirazi. It was built under the command of Mirza Hasan Ali Nasir Al Molk a lord of the Qajar Dynasty.

Mohammad Reza Domiri Ganji - Nasir-Al-Mulk-mosque-little---ShirazMohammad Reza Domiri Ganji - Nasir-Al-Mulk-mosque-little---Shiraz

Mohammad Reza Domiri Ganji – Nasir-Al-Mulk-mosque-little—Shiraz http://gravity.ir/

 

Nasir al-Mulk Mosque by Omid Jafarnezhad on 500px

 

amin adbedini

Iran, Shiraz, Masjed-e Nasir-al-Mulk (Nasir al-Mulk Mosque), Islamic Architecture

 

Nasir al-Mulk Mosque in Shiraz, IranNasir al-Mulk Mosque in Shiraz, Iran

Nasir al-Mulk Mosque in Shiraz, Iran

More from the ceiling decoration

By: Transpersonal Spirit

Bibliography:

http://www.huffingtonpost.com/2014/03/15/nasir-al-mulk-pink-mosque_n_4959362.html

http://en.wikipedia.org/wiki/Nasir_al-Mulk_Mosque

http://www.boredpanda.com/nasir-al-molk-pink-mosque-shiraz-iran/

http://gravity.ir/

http://gravity.ir/about-me/

Visionary Art

Visionary Art

Net of Being By Alex Grey

Net of Being By Alex Grey
http://www.alexgrey.com

Visionary art is an artistic style which pays homage to the mystical experience and the transcendent spiritual wisdom of humanity.  The art emerges out of the artist’s inner journey into the realms of collective vision and their personal insights and experiences. The vision is then used as inspiration for the work of art and for self-realization. Once completed the art is an expression of the inner journey, a catalyst to trigger transformative experiences in the viewer and a form of prayer and surrendering to a mystical state of consciousness.  Robert Venosa put it simply referring to his art as, “the transcendental mirror”; the transcendent images reflect the transcendent aspects of the viewer and leave the residue of this visionary reality in the mind of the beholder.

The visionary artists are making a powerful statement about the value of the inner reality and the power of mystical experiences to transform and uplift the world. The visionary community sees the primary mystical experience as being the core of all spiritual traditions and makes new archetypes for the transcendent experience through art.  The new archetypes reflect the contemporary expedition into this other inner dimension of being through contemporary means. Visionary artists, like the ones featured in this blog, are making a statement about the positive and challenging aspects of visionary experiences and validating the reality of this internal experience.

Essential Love by Anderson Debernardi

Essential Love by Anderson Debernardi

This visionary artwork is truly a product of an emerging spiritual movement based on direct experience; many of the symbols used to describe the indescribable mystical reality are often inspired by spiritual traditions of the whole Earth. The ability to experience global spiritual culture is a radical shift from 40 years ago, this phenomenon is shaping the way spiritualism is approached and is changing the dialogue about the fundamental nature of reality.

The core of spiritualism in visionary art is in the direct experience of the infinite reality, where all is one, space-time and self are transcended. This is in agreement with the teachings of Tantra, Buddhism, indigenous leaders, and parallels theories emerging from quantum physicists. Today many have created their own religions or spiritual path by drawing inspiration from ancient traditions. This spiritualism based on the inner journey is expressed in visionary art. The experience of creating the artwork is similar to prayer as it connects the artist to the inner consciousness and can evoke powerful non-ordinary states of consciousness in the viewer and or creator of the art.

Burning man

The creative vision of this community goes far beyond the flat surface of the canvas. Interactive festivals like Burning Man, Boom Festival, Envision and other intentional gatherings are an outcropping of this new dynamic and creative arts community. These artists are looking to create installation art, video art, architecture, music, light shows, dance, festivals and other forms of expression. Short intentional gatherings create a visionary space and become a place in which personal transformation, spiritual journey, enthogenic inspired dance and performance can combine with a supportive community. Once the gathering is over they leave no physical trace all that remains are the images, memories and the art.

To achieve these inspirational experiences of personal transformation and mystical revelry  a combination of means are utilized by visionary artists including art, dance, music, prayer, meditation, yoga, psychedelics and other ‘technologies of the scared’. These experiences are often evoked through an entheogenic state of mind; many people refer to entheogens as being psychedelic substances but truly, entheogen is a term meaning god with-in or evoking the mystical reality. The Council on Spiritual Practices defines entheogen as, “a psychoactive sacramental; a plant or chemical substance taken to occasion primary religious experience. Example: Peyote Cactus as used in the Native American Church.” The difference between ingesting a psychedelic substance and taking an entheogen is in the intention; if one is using an entheogen they are seeking unity and spiritual communion with the divine but if one is using a psychedelic they are simply consuming a substance without the intention of inner exploration.  Ironically, the casual psychedelic user will still often enter entheogenic states of consciousness especially when exposed to visionary or healing arts.

By: Alex Grey

St. Albert and the LSD Revolution
By: Alex Grey (www.alexgrey.com)

Many people when viewing visionary art recognize the landscapes the artists are rendering for their own experiences, this suggesting that realms of this other dimension can be similar for people around the world and this similarity of world creative vision is called archetype and has been the subject of intense academic study. Visionary art validates a parallel dimension of being known in western psychology as the transpersonal, this is literally another world different from our material reality which is found by traveling inward. Visionary art suggest that this otherworld really exists because the artist can go there and render its archetypal image and others recognize and relate to the art. The art validates this reality and the artist produces data for the scientists and others exploring this other dimension of human consciousness.

Visionary arts is inseparable from the healing arts, prayer, meditation, yoga and shamanism; they all encourage the movement toward wholeness. All the world’s religions have utilized sacred arts to uplift and inspire the best parts of ourselves.  The Earth is rapidly transforming into a place which may not be habitable by humans because of our ignorance about the interconnection of all life. The religious and mystical experience reveals in heart shattering glory, the oneness of existence.  The great yogis and shaman of the world all affirm that we are all united on this earth and in the web of life. The recognition of this primal truth has powerful healing and transformative potential. Visionary art plays a powerful role exposing the public to a contemporary expression of this mystic interrelatedness through arts which mirror the transcendent.

Pagoda Dorada By Pablo Amaringo  www.ayahuascavisions.com

Pagoda Dorada By Pablo Amaringo
http://www.ayahuascavisions.com

By: Transpersonal Spirit

Biblography:

Transpersonalspirit.wordpress.com

http://www.realitysandwich.com/slideshow/robert_venosa).

Grof, Stanislav. The Cosmic Game Explorations of the Frontiers of Human Consciousness. State University of New York Press. 1998.

http://beinart.org/info/essays/maura-holden-tsunami.php

http://lila.info/on-visionary-art-and-on-drawing/ Rob Percival 2010

http://www.lcaruana.com/webtext/shop.text/first.man.eng.text/first.man.eng.sample.pages.html

www.alexgrey.com

http://www.debernardivision.com (anderson debernardu’s website)

http://csp.org/practices/entheogens/entheogens.html (council on spiritual practices website)

http://www.ayahuascavisions.com (Pablo Amaringo’s website)

Visionary Artist: Laurence Caruana

Visionary Artist

Laurence Caruana

laurence caruana  the pearl

The Pearl By Laurence Caruana
http://www.lcaruana.com/

Laurence Caruana has had a strong impact on the contemporary visionary art movement as a writer, teacher and artist. He has written several books and online articles about visionary art including the Visionary Art Manifesto and The Visionary Revue. He teaches worldwide sharing the classical painting technique called mischtechnik as well as lecturing about visionary art and writing about emerging visionary artists and culture. Now after many years of work he is opening The Academy of Visionary Art in Vienna with the aid of several visionary artists including Ernst Fuchs, Kuba Ambrose, A. Andrew Gonzalez, David Heskin, Maura Holden, Amanda Sage and more. His impact as a teacher, writer and lecturer of visionary art has advanced the dialogue about visionary art in a dramatic way.

Laurence Caruana’s work focuses on dreams, myth, symbolism and what he terms the image language. He says the image language is the language from before the fall of Adam and Eve. We lived in a paradise heaven filled with amazing dream like images, he relates this image based time to childhood and believes the child lives more closely to this world of imagination language. Through art one can explore this image language which through art emerges and meets the material world.

Scarab Christ by Laurence Caruana  www.lcaruana.com

Scarab Christ by Laurence Caruana
http://www.lcaruana.com

When young he wanted to become an artist and attended the University of Toronto where he fell in love and explored a range of mediums including sculpture, theater, and painting. His desire to marry his college love was thwarted by her deteriorating mental illness which led to the creation of interesting work from Caruana focusing on psychological elements of human experience. Once completing his degree he left her and Toronto and traveled Europe developing his craft as a writer and recording the image language of his dreams.

Laurence Caruana has made many pieces of art inspired by women whom he has loved over the years and the profound effect each of these past lovers had had upon him. His paintings mix reality with his dreams which he translated into art.  This early period of his work is very much filled with heartbreak and understanding the nature of the women in his life and how they impacted his personal growth.  Each of these paintings based on these women is a mixture of art, myth and dreams both fantastic and real. Laurence Caruana emphasizes the power of dreams in his work more so than many visionary artists. His approach to dream is similar to the late psychologist Carl Jung in that he feels dreams reveal information about our inner reality from a material, spiritual and mythical perspective.

laurence caruana rape of e

The Rape of Europa By Laurence Caruana
http://www.lcaruana.com/

He came in contact with his wife, Ernst Fuchs and psychedelic experiences in his 30s all of which would become the most important inspirations in his life. He became an assistant to Ernst Fuchs and began learning painting from him through apprenticeship. His skill flourished and he developed the techniques of the master painters particularly mischtechnik. His meeting with Fuchs, his teacher and mentor, was preceded by years of dreams involving Fuchs which began after he had seen “Moses and the Burning Bush” painted by Ernst Fuchs.  Ultimately, Caruana learned to commune with the mythical world of imagination and the gods through visions and depict those visions through painting.  He used the paintings as doorways to a direct experience of the sacred. He learned to see the sacred in his life which was reflected in his dreams, madness, enthogenic visions and art. Ernst Fuchs was a guide leading Caruana to understand his own ability to see into the divine and to share those visions through painting using the classical mischtechnik as adapted by Ernst Fuchs.

Caruana wrote The Manifesto of Visionary Art and published it in The Visionary Revue and was invited to speak at conferences workshops and events. He has exhibited in Paris and abroad and discovered the eco village of Tori Superiore where he teaches the mischtechnik.  Finally his passion became his vocation and profession fulfilling his dream of becoming an artist.  Life itself is a gradual unfolding of the sacred.

laurence caruana the vine of the dead

The Vine of the Dead By Laurence Caruana
http://www.lcaruana.com

In Cauruna’s writing he details how visionary artists approach the viewing and creating of the visionary artwork. This includes dialogue about enthogenic experience, mystical art, painting technique and even a new way of viewing art he calls entering through the image as well as history of visionary art. Mystical art is the foundation of the visionary art movement monumental works of the ancients dedicated to the divine reality. In modern times many people are gaining access to the mystical experience through the use of mind altering plants known as psychedelics or entheogens. The entheogen is the use of psychedelics for the purpose of mystical and spiritual development. The mystical experiences are then integrated into an artistic representation to share those visions with the world.

This idea of entering through the image is significant because most visionary artists have a unique way of seeing the image. They will stare at one point and distort their vision so the colors merge, blend and animate. For Laurence Caruana he covers one eye to get this effect.  For me personally, I bring my eyes into a soft focus and stare at one point after a few moments the surface comes alive and the image beings to transform as the patterns and colors shimmer and move. From there the imagination is given free rein to reform and create new images out the available material.  In this way one can enter through the image using the image as a key or door way to one’s own imagination and experience. Others say the ideal viewing of visionary art is in spiritual practice such as staring at the image while in meditation. Others say the ideal setting and viewing of visionary art is after consuming psychedelics. For others this image distortion is achieved through the use of multi-colored lighting or moving and shifting projections in the space and on the surface of the painting. This differentiation of lighting can bring out certain colors and patterns in the image to give the viewer another way of seeing and interpreting the image. This kind of viewing was seen a lot in the 60’s and 70 psychedelic poster movement as the posters were view in the setting of live music with multicolored lights and projections. By seeing the artwork in this way one can allow their own consciousness to fill the image and can transport into another realm of experience through viewing art.

laurence caruana Vishnu-Christ.Avatar-72dpi.1500w

Vishnu Christ Avatar by Laurence Caruana
http://www.lcaruana.com

Laurence Caruana’s latest and largest achievement is the Academy of Visionary Art in Vienna. This is establishing him as one of the foremost teachers of visionary art and he is bringing together many visionary artists to collaborate in the functioning of this educational institution.  He is one of the foremost teachers of the Mischtechnik of painting along with Ernst Fuches and has impacted the visionary arts community worldwide.

By: Transpersonal Spirit

Bibliography:

http://academyofvisionaryart.com.

http://www.lcaruana.com/webtext/news.html

http://alexgrey.com/laurence-maura/

http://visionaryrevue.com/

http://vimeo.com/8595972

http://solpurpose.com/2013/07/08/the-vienna-academy-of-visionary-art-interview-with-laurence-caruana/