Visionary Art: Pablo Amaringo

Visionary Art

Pablo Amaringo

“The pictures themselves have messages and teachings that train the mind to see what could have happened in the past and what can happen in the future. They open up other ways of seeing, which you could call sacred or divine. I would like my pictures to inspire a different idea of religion, one that is not given in exchange for something but is free.” (Amaringo 1).

Unicornio Dorado By Pablo Amaringo.  Featured in the book ‘The Ayahuasca Visions of Pablo Amaringo’ by Howard G Charing; Peter Cloudsley

 

Pablo Amaringo was born in 1938 in Loreto, Peru. His artworks are known world-wide and he is considered one of the most influential Peruvian painters in history. His paintings show the world he is familiar with painting the rainforest in the Amazon region with the many plants and creatures living there. His paintings also depict the spirit world known to the peoples of his region. This spirit world is entered through prayer and through the use of visionary plants most commonly ayahuasca. The spirit world includes spirit beings of all kinds, ufos, giant serpents, angels, luminous cities existing in another plane of consciousness; this is what Pablo Amaringo called the divine or sacred reality. Each object, intelligent being and motif has specific meanings which are revealed in the book, “The Ayahuasca Visions of Pablo Amaringo”. These paintings give a glimpse into the unseen world of the Peruvian healers, shamans and common peoples.

Pablo Amaringo tried ayahuasca for the first time with his grandfather when he was ten years old because he had heard of others who drank it and was curious. He entered the spirit world and lost feeling of his body. He was a bit frighten but saw spirit beings traditionally spoken of in the region.  Ayahuasca was and still is a sacred sacrament which connects the person to the spirit world. Ayahuasca is a combination of plants cooked down in a specific way and contains psychedelic compounds. There are many ayahuasca churches both indigenous and Christian throughout South America and is commonly used for healing and spiritual purposes.

Transformacion del Chaman en Aguila By Pablo Amaringo. Featured in the book ‘The Ayahuasca Visions of Pablo Amaringo’ by Howard G Charing; Peter Cloudsley

Pablo Amaringo faced a deep sickness after his family was killed in a car accident. He went to his fathers house and was healed with ayahuasca in the 1970s. Pablo said, “I thought ayahuasca must be a good medicine because it worked for me – I saw visions, and even today remember everything that I saw.” After his recovery he realized, “life had no meaning unless one looked for the spiritual whether through taking plants or by following a religion.” (Amaringo 21).

Ayahuasca Raura By Pablo Amaringo. Featured in the book ‘The Ayahuasca Visions of Pablo Amaringo’ by Howard G Charing & Peter Cloudsley

Pablo Amaringo was an artist, spiritualist and healer. He made art works which depicted the spiritual world of his people which he accessed with ayahuasca. He infused his paintings with icaros or magical incantations. He says, “If you concentrate and meditate on the paintings, you will receive this spiritual energy.” Howard Charing writes, “Although he had stopped drinking ayahuasca many years prior, he had the ability to perfectly recall each of his visions. On one occasion he said to me, ‘I do not need to drink again; ayahuasca has connected me to the spirit world.’” (Charing xi).

Jehua Supai  - Featured in the book 'The Ayahuasca Visions of Pablo Amaringo' by Howard G Charing &; Peter Cloudsley

Jehua Supai – Featured in the book ‘The Ayahuasca Visions of Pablo Amaringo’ by Howard G Charing &; Peter Cloudsley

He did conduct healing ceremonies with ayahuasca as a medicine man or shaman. He stopped because of threats from sorcerers. The sorcerers are those who use ayahuasca and the spirit world to do harm to others. He later stopped doing healing for people saying that even healing is a form of sorcery. He came to teach art and opened a school to teach Peruvians painting and drawing. He felt that art was the highest pursuit. He painted ayahuasca visions but also painted many landscapes filled with the diverse plants and animals of the amazon.  Collector world-wide have gone to Peru seeking Pablo’s artworks as well as artists imitating and developing his style.

Pagoda Dorada By Pablo Amaringo

Pagoda Dorada By Pablo Amaringo. Featured in the book ‘The Ayahuasca Visions of Pablo Amaringo’ by Howard G Charing & Peter Cloudsley.

Pablo states, “The best thing you can leave is a seed for others to work with. I am not just a person; I am a spiritual person. I always communicate with the great universal force, which is the rock of perfection – Dios – that I have seen in my ayahuasca visions, and which has always spoken to me. “ (Amaringo 1)

Llullon Llaki Supai By Pablo Amaringo. Featured in the book 'The Ayahuasca Visions of Pablo Amaringo' by Howard G Charing &; Peter Cloudsley

Llullon Llaki Supai By Pablo Amaringo. Featured in the book ‘The Ayahuasca Visions of Pablo Amaringo’ by Howard G Charing &; Peter Cloudsley

Nukno Maschashka By Pablo Amaringo. Featured in the book ‘The Ayahuasca Visions of Pablo Amaringo’ by Howard G Charing & Peter Cloudsley

Nukno maschashka has people chanting in a ceremony at the bottom and shows how prayers and songs are sent into the higher spheres of the cosmos. The chant is a song gained from the spirits in a quite place in the woods.  Each of the plants, peoples, animals and spirits represented are specific beings and objects with a deeper meaning for the whole of the image. One can see angels, healing medicine women,  ceremony, serpents of wisdom, healing plants and the high realms of the spirit world resounding with music. The healing ceremony and healing chants are carried by the spirits into the spirit world.

Sumac Icaro By Pablo Amaringo. Featured in the book 'The Ayahuasca Visions of Pablo Amaringo' by Howard G Charing; Peter Cloudsley

Sumac Icaro By Pablo Amaringo. Featured in the book ‘The Ayahuasca Visions of Pablo Amaringo’ by Howard G Charing; Peter Cloudsley

Yana Huarman By Pablo Amaringo. Featured in the book ‘The Ayahuasca Visions of Pablo Amaringo’ by Howard G Charing & Peter Cloudsley

Angeles Avatares By Pablo Amaringo. Featured in the book ‘The Ayahuasca Visions of Pablo Amaringo’ by Howard G Charing; Peter Cloudsley

Templo Sacrosanto By Pablo Amaringo. Featured in the book ‘The Ayahuasca Visions of Pablo Amaringo’ by Howard G Charing & Peter Cloudsley

Alli Mariri By Pablo Amaringo. Featured in the book 'The Ayahuasca Visions of Pablo Amaringo' by Howard G Charing; Peter Cloudsley

Alli Mariri By Pablo Amaringo. Featured in the book ‘The Ayahuasca Visions of Pablo Amaringo’ by Howard G Charing; Peter Cloudsley

 

La Principa de la Vida by Pablo Amaringo. Featured in the book 'The Ayahuasca Visions of Pablo Amaringo' by Howard G Charing; Peter Cloudsley

La Principa de la Vida by Pablo Amaringo. Featured in the book ‘The Ayahuasca Visions of Pablo Amaringo’ by Howard G Charing; Peter Cloudsley

Ondas de la Ayahuasca by Pablo Amaringo

Ondas de la Ayahuasca by Pablo Amaringo. Featured in the book ‘The Ayahuasca Visions of Pablo Amaringo’ by Howard G Charing & Peter Cloudsley

Los Grados del Curandero By Pablo Amaringo. Featured in the book ‘The Ayahuasca Visions of Pablo Amaringo’ by Howard G Charing & Peter Cloudsley

Amazónica Romantica By Pablo Amaringo. Featured in the book ‘The Ayahuasca Visions of Pablo Amaringo’ by Howard G Charing & Peter Cloudsley

Misterio Profundo By Pablo Amaringo

By Transpersonal Spirit

Bibliography

Charing, Howard; Peter Cloudsley, Pablo Amaringo. The Ayahuasca Visions of Pablo Amaringo. Inner Traditions.  Vermont. 2011.

http://www.ayahuascavisions.com/

Saints of India: Haidakhan Babaji

Saints of India

Babaji

Haidakhan Babaji

Part Two

“I am everywhere.

I am in your breath.

I am the mirror in which you can see yourself.

I am Bhole Baba, the father who is simple.

I have come to help you, to guide you. Place your burden at my feet.

I will carry your burden.” -Babaji (Caddy 143).

“I have come to lead you to the awareness of oneness beyond duality, to dispel the disunity caused by confessions of faith, religions and castes. There is only one humanity, be human! Seek to experience in your awareness that we are all one. I want to show you a freedom beyond your perceptions, where the lions and the goat are drinking together from the same spring.” – Babaji. (Caddy 143).

Babaji taught Karma Yoga with mantra repetition as the fastest way to God in our chaotic times. He emphasized the path of selfless action in order to see god in everything and wanted his followers to see the divine in all things. He always emphasized that all peoples of the world are divine and accepted people of all religions and faiths using saints and teachers from other traditions as examples of aspects of his teachings. He embraced the world and helped remove the ego limitations of his followers. He opened numerous hospitals and social service centers in India with the help of his followers. Babaji was creating a more just world filled with universal peace guided by good will.

Many of those who came to him recall the power of his presence with floral language and deep love. Around Babaji is a feeling of unconditional love, his gaze sees into our thoughts and into our karma. He knows the best and worst parts of who you are and loves you unconditionally.  The teachings are unique for each individual and his reasoning is mysterious. He is a god realized being here to teach and guide humanity. They speak of his eyes so deep, profound and mysterious as though his gaze sees every cell in the body. They speak of blissful union with the divine and challenging lessons which delivered great spiritual rewards. Many followers devote their lives to his teachings and continue to honor their guru. They say that even though Babaji has left his material body that he still guides them and teaches them.

Haidakhan India

Shri Haidakhan Wale Babaji mysteriously appeared in June 1970 in a cave at the foot of Kumaon Mount Kailash in the Nainital district of Uttaranchal. The cave is spoken of in the Vedas as a dwelling place of the divine.  Babaji was a youth between the ages of 18 and 20 and he had no birth record or known family. He could quote Sanskrit scriptures from memory and could live with little to no food for three years at a time.  He would move into deep meditative trances for up to 45 days and radiated wisdom. Babaji has spiritual powers and could heal the sick, predict the future, read minds and bring people into relationship with the divine.

The stories of his appearance spread quickly and many came to be with Haidakhan Babaji. Those who came to him say they were summoned in visions, dreams and by synchronic events. Often Babaji would materialize in front of the person calling them to his side at the ashram in Haidakhan.  His followers included a wide range of ages and races with many western devotees. At the Ashram the devotees and visitors would bath in the river, meditate and practice karma yoga until sunset. Babaji spoke rarely and usually spoke a few words in the morning and evening Aarati (spiritual service).

Babaji said, “To follow and demonstrate the path of Truth, Simplicity and Love is man’s supreme duty and the highest yoga. Diligent work is a quality of this Path, and laziness is death on earth. Only by work can one claim victory over karma. All must strive to do their duty in the best way possible and not wander from that duty. Service to humanity is the first duty. During these times, inhumanity and laziness have increased, so it is important that you work hard and not lose heart. Be brave, be industrious, work hard and have courage.” (Haidakhandi Samaj 1990 pg. 8).

Babaji led his devotees by example. He would help serve food, help with the dishes, often he would only speak a few words a days and stay up all night meditating. He loved all who came and met all his followers where they were at in their spiritual journey. He demanded unshakable faith from his devotees. He wanted each person to keep their mind in god and love and if one was not doing their best to hold their awareness he would ask them to leave the ashram.

As with all gurus Babaji makes statements and tasks which are intended for specific individuals in order to trigger spiritual growth in the devotee. At a later time he may encourage the devotee to do the opposite of what he told them in the past. This leads to Babaji making contradictory statements often because each individual needs to hear and experience different things at different times to grow spiritually.  Sometimes lessons can seem harsh but the followers often come to a deep epiphany about why they received the challenging teaching.

Babaji once sent a western devotee home because they had lost faith. Babaji said, “You are being sent back to your country because you have lost faith. If you were a true devotee, you would have unshakable faith and a steady mind…By giving temple duties, I accepted you as a devotee…I am responsible for you and your liberation! Whatever initiation you need, I will give you. Why then should you doubt or seek elsewhere? … Your faith must be as mighty as Mount Meru. Even the sun and the moon can move from their course, but the faith of the devotee should not be shaken. A true devotee will be ready to shed their life for God and will have faith to his last breath. Never be moved by false doctrines! You are protected in every moment.” (Shyam pg 184).

Babaji could be the compassionate Shiva and could also be the harsh teacher bringing people to fully experience their limitations and their emotional limits. Babaji states,”The path of God-realization is a most difficult one. Few are those who will walk it. It is difficult as walking on the edge of a razor. The grace of the guru is everything. No knowledge is possible without the Guru.” (Shyam 184).

To keep the mind focused on God one should repeat a mantra continuously. He said all mantras are good to do but Babaji preferred ‘Om Namah Shivay’. This means “I take refuge in God” or “I surrender to you Lord”.

Babaji said, “Om namah shivay is the great original mantra, it is one with the primal sound of the creation. The power of OM namaha Shivay is infinite, it is stronger then all the atomic bombs of the world.” (Caddy 145).

He wanted to bring his followers to the essential nature of the universe and it could not be reached without continuous awareness and dedication. His devotees have to be who they truly are, they have to reach beyond their limitations to experience themselves as one with all existence. He said they must stop the cycle of karma through selfless action and awareness focused one god.

Babaji spoke of karmic law saying, “Karma is an inevitable law of cause and effect by which all living beings reap the fruits of their actions and thoughts…The law of karma is above all things. Karma starts when movement starts in the mind. To stop karma, we must bring the mind to that state of silence and voidness beyond which god can be known…Otherwise, as long as a man breaths, he is creating karma. No one can remain without action, even for a minute. Therefore, learn how to dedicate your every action to the Lord.” (Shyam 234 – 236).

The devotee Sheila asked Babaji about why he struck a man. She said, “Baba you are the lord of forgiveness; why did you do this to that man? Why not forgive the man? You shouldn’t be so angry.” Babaji replied, “Forgiveness has gone to the Himalayas! I cannot forgive that. I am bound by laws… This is to be understood: there is nobody above the law! … The law is above everything: even I am not above the law.” (Shyam 169).

Part of this law is the law of karma. It is possible that due to past actions this man could have a great deal of karma that threatens his health or his life. By the firm hand of the guru this karma can be resolved.

This type of action by Babaji drew many questions from his devotees. One of Babaji’s closest devotees, asked about non-violence, Babaji said, “I want brave and courageous people. A man must have great courage… I want a creation of brave, fearless and courageous people. I want people with a strong revolutionary spirit who are willing to fight for the truth. I want to root out the present spirit of non-violence from the world; this emphasis on non-violence has brought an increase in atrocities and injustice in the world. I do not want a world in which the rights of human beings are trampled, as the world today. This practice of non-violence has led people into ignorance, instead of leading them into knowledge. Due to this kind of non-violence, man has been deprived of his rights and he is afraid of his own shadow. I want a creation of powerful people throughout the world.” (Shyam 219).

Babaji never defined exactly what he meant with the term non-violence but did emphasis the need for action, truth, courage and the dangers of laziness. Also this term could have been used to trigger a specific association in a particular devotee. Babaji frequently made statements about the need for revolution, justice and active strength. He often suggested that simply by allowing malignant violence to occur and not standing in opposition we ourselves participate in the injustice. Babaji wanted courageous and brave followers willing to advance humanity through selfless action, Karma Yoga focused on Gods endless love.

He called for a revolution which could move humanity in the direction of global peace and divine realization. Karma Yoga, selfless action, was the ultimate path toward realization in this age.  It required unshakable faith, strength and a steady mind focused always on God. Babaji says, “…you must keep your duty before you always. We must all have one purpose before us – to sacrifice ourselves for the sake of humanity. We must live for humanity and die for humanity. We must offer our loves for the welfare and security of society. This must be our aim our bhajan. This is our bhajan, our kirtan; this is our repetition of the name. We should always proceed with this in mind.” (Shyam).

Babaji also had predictions for the future which he would spoke of many times. His predictions are of a future world filled with destruction and warned all devotees to be prepared. He said, “Be strong in the time of great revolution which is coming. No one can stop the fire coming in the world now. The bells of great destruction are already ringing. The war will be such that people sleeping will die immediately in their houses from gas, atomic and nuclear radiations.” (Haidakhan Samaj 21). He made many statements about the coming fires and storms and the death of millions of peoples.

Haidakhan Babaji left his body on Valentine’s day Feburary 14th 1984. He stated, “This body is nothing; it is here only to serve people.” (Haidakhandi Samaj 1990 pg. 9). He went through months of incredible suffering before passing. He was taking on the karma of millions breathing in the suffering of the world and exhaling love and peace. His passing was accompanied by large storms and flooding in Haidakhan. At his cremation the full moon was surrounded by rings and light appearing to devotees like a jeweled net in the sky.

Babaji became the great love of hundreds of devotees and followers. He opened their heart moved them forward in their spiritual understanding and personal development. His ability to lift devotees to transcendent heights is a great gift to the world. Many of his followers are true embodiments of karma yoga and driven passion for serving others and bettering the world.

“Seek harmony in everything you do. I am harmony.”-Babaji (Caddy 144).

By Transpersonal Spirit

Bibliography:

Caddy, Renata. Encounters with Babaji Master of the Himalayas. Findhorn press. Germany. 2012.

Rdhe Shyam, I am harmony a book about Babaji.  The American Haidakhan Samaj. Crestone, Co. 1990, 2006.

Haidakhandi Samaj. The Teachings of Babaji. Haidakhandi Samaj Haidakhan Vishwamahadham. 1984, 2004.

Haidakhandi Samaj. The Teachings of Babaji. Haidakhan Samaj. Haidakhan Vishwamahadham. 1983, 1990.

The Haidakhandi Samaj (UK). http://ombabaji.org.uk/?page_id=4

Visionary Art: A. Andrew Gonzalez

Visionary Art

A. Andrew Gonzalez

“It’s in the realm of the soul that we find the heavens that govern the sky.” Rumi

Yemanja By A. Andrew Gonzalez

A. Andrew Gonzalez is a self taught artist working in airbrush. He paints beautiful images of figures primarily feminine surrounded by mystical light and haloed with jeweled nets of being. He is the antithesis to H.R. Giger’s airbrushed nightmares of the grotesque; portraying the luminous nature of transcendent realities. The Figurative images at first appear to be done in relief, but in fact, are primarily monochromatic paintings with airbrush and other materials. The ecstatic moment and the eternal dance of the the infinite flowing around his archetypal figures. His work is like a mirror of divine light reflecting the spiritual energies inside our own being. Gonzalez states that his life long interest in the arcane, mystical and esoteric are the primary inspiration for his art linking himself to the visionary art movement with inspiration from Alex Grey, Robert Venosa, H.R. Giger, Dali and Ernst Fuchs. He teaches courses in fantastic and visionary art in the US and aboard and has exhibited in the US and Europe.

Fravashi By A Andrew Gonzales.

The Creatrix By A. Andrew Gonzalez

Crescendo of the Heart By A. Andrew Gonzalez.

Unio Mystica By A. Andrew Gonzalez.

Summoning of the Muse By A. Andrew Gonzalez

Magia By A. Andrew Gonzalez

More links to A. Andrew Gonzalez

http://sublimatrix.com

http://www.arthistoryarchive.com/arthistory/contemporary/A-Andrew-Gonzalez.html

Visionary Art: Mati Klarwein

Visionary Art

Mati Klarwein (1932-2002)

Nativity By Mati Klarwein

Mati Klarwein was born in Hamburg, Germany in 1932. His father was an architect and later designed the Knesset Parliament Building in Jerusalem. His Mother was an Opera singer. The Klarwein family fled Nazi rule and settled in Isreal. Mati later studied in Paris at Ecole des Bauex Arts with Fernand Leger. Mati’s work become heavily influenced by surrealism and visionary art. He went on to be mentored by Ernst Fuchs an Austrian artist famous as a pioneer in visionary art and co-founder of the Vienna School of Fantastic Realism. Ernst Fuchs taught Mati the painting techniques of the Dutch masters which he would utilize for his entire career. He spent about a third of his life in Deya on the Northern coast of Majorca in Spain. Mati describes Deya in 1983 as, “A community of misfits and artists, founded in the 1920’s by Robert Graves, he is still living there, Deya is a timeless and naked singularity.” Mati embraced the newly emerging paradigm of planetary consciousness, creative community, consciousness exploration and the arts. He love the Black American musicians like Miles Davis , Jimi Hendrix and Yusef Lateef immortalizing their images on record covers and in his art.

Bavarian Angel By Mati Klarwein

Mati Klarwein’s work is ecstatic vision and psychedelic cosmic consciousness expressed using tempera paint on canvas. His paintings stand as early masterpieces and help define visionary art. His works graced the cover of Miles Davis’s Bitches Brew, one of the greatest jazz albums of all time, transmitting his inner vision into the minds of millions viewers.  He expressed the oneness of humanity by painting people from all parts of the globe together peacefully co-existing. He created a new holistic visual languages to express  ecstatic depths of communing with the entire web of life. His images reveal a luminous reality and utilize a new symbolism to represent the depths of human experience. His work invites the viewer to slip into another state of mind and to explore the deep cosmic ocean that lives in the imagination.

Moses By Mati Klarwein

Mati’s impact upon the surrealist, psychedelic and visionary art scenes is paramount. His images remain some of the most viewed works in the psychedelic art movement. Mati was an artist of uncompromising vision he demanded that his art books be published in the way he wanted leading him to start his own publishing company to publish his own art books. His art flows like the music of the times, eclectic, vibrant, electrifying and avant-garde. Using techniques of the distant past, infusing it with new styling, utilizing new paradigm ideas of consciousness exploration, and radical innovation of old forms. His work has spiritual motifs from world cultures as well as figures from the world over. All infused with a lysergic aesthetic  which stands as a defining style in the psychedelic art movements to this day. Open your inner sanctuary to the vistas of Mati Klarwein and explore the depths of human experience.

Time By Mati Klarwein

Lost Poets By Mati Klarwein

Annunciation By Mati Klarwein

Sun-Moon By Mati Klarwein

Bitches Brew By Mati Klarwein

Live By Mati Klarwein

Mati Klarwein – Twins

Mati Klarwein Astral Body Awake 1969

Mati Klarwein Yusef Lateef

Mati Klarwein

Mati Klarwein Grain of Sand

Bibliography:

Norman Hathaway and Dan Nadel. The Electric Banana: Masters of Psychedelic Art. Grafiche Damiani, Bologna, Italy. 2001.

www.matiklarweinart.com/

visionaryrevue.com/webtext3/klarwein1.html

Saints of India: Babaji

Saints of India

Babaji

Mahavatar Babaji and Haidakhan Babaji

Part One

Mahavatar Babaji

Babaji has manifest in various forms throughout history, sometimes in human form and other times appearing to people on the astral. Babaji is considered a highly spiritual entity whom exists in realms beyond the conscious experience of the people of earth. He transverses the dimensions of existence being held in material and subtle forms, a mystery even to those he appears to. Babaji’s followers believe he is a container for spiritual wisdom and one of the most revered and admired yogic masters in history. “The deathless Babaji is an avatara…In Hindu scriptures, avatara signifies the descent of Divinity into flesh. …avatars, like Babaji undertake work that is concerned more with the slow evolutionary progress of man during the centuries than with any one outstanding event in history.”(Yogananda 347).

Babaji is credited with preforming all manner of miracles such as, bringing the dead back to life, miraculous healing, telepathy, manifesting objects and incredible synchronicity that occurs to those who are in his presence. Babaji seems to be united with a spiritual life-force beyond description, a life force which is the essence of creation. Yogananda writes, “  ’Babaji’s spiritual state is beyond human comprehension,’ Sri Yuketswar explained to me. ‘The dwarfed vision of men cannot pierce to his transcendent star. One attempts in vain even to picture the avatar’s attainment. It is inconceivable.’ ” (Yogananda 345).

“the old” Haidakhan Babaji

Babaji has taken many forms in many time periods including with-in the last century and many stories have been spoken of Babaji in the distant past. “One such manifestation of Babaji recorded in a number of books and witnessed by many local people, was sometime in the year 1800. He is remembered by several people even today. At the time, Babaji traveled extensively in the Kumaon region, gathering around him several devotees and disciples… Seating Himself on the surface of the water at the confluence of the Rivers Kali and Gori, and disappearing in a ball of light, He dematerialized this form in 1922. This event too was witnessed by several devotees.” (Haidakhan Samaj UK).

Mahendra Baba AKA Mahendra Maharaji

Following his dematerialization, Babaji came to Mahendra Baba when he was the age of five. Mahendra Baba developed a relationship with Babaji who would appear to him.  He developed a following and made a small temple in Kathgaria and installed a murti of Babaji on February 24th 1957. The night before its installation thousands witnessed the materialization of Babaji from a great ball of light. Mahendra Baba became known as Mahendra Maharaji and preformed many miracles all of which he attributed to the influence of Babaji. He preached over and over that one day Babaji would come and change the world. Vishnu Dutt friend of Mahendra Baba became divinely inspired and began to write poems which at one point described the coming of Babaji with remarkable accuracy. In 1969 Mahendra Maharaji predicted that Babaji would come soon and even said that he would come in 1970 (in the 1950s he predicted 1968 or 1969). Mahendra Maharaji died in 1969.

Murtis of Haidakhan Babaji and Mahendra Maharaji

Babaji most recently appeared as Haidakhan Babaji in June 1970 until February 14th 1984. He came from a cave at the foot of Kumaon Mount Kailash. He had no family no home and appeared as a youth 18 to 20 years of age. Haidakhan Babaji demonstrated great wisdom, power and was recognized as a great embodiment of the lord Shiva.  Haidakhan Babaji said in his teachings to have appeared dating back to before the time of Christ. “Shri Babaji, in his recent incarnation, mentioned on a few occasions that he was the teacher of Jesus Christ during his years between twelve and thirty…He also initiated Shri Shankara and the poet Kabir into yogic practices. He told others He lived in Tibet as the Buddhist saint Milarepa in the 11th and 12th centuries AD.” (Shyam 25). “Several Tibetan lamas, who came to visit Him, recognized Him as Lama Baba who had lived in Tibet centuries ago. There are tales of his appearances in Nepal also.” (Haidakhan Samaj UK).

Haidakhan Babaji

Yogananda founded the Self Realization Fellowship which published Autobiography of a Yogi and continues the teachings of Yogananda. The SRF believes that Mahavatar Babaji and Haidakhan Babaji are not the same being, other disagree and say the two are one and the same. Haidakhan Babaji, “stated that He was the Shiva Mahavatar Babaji, referred to in the book Autobiography of a Yogi by Paramahansa Yogananda.” (The Haidakhan Samaji UK). There is no way to know with certainty and a dense fog of mystery surrounds all aspects of Babaji. In this article I will introduce both Mahavatar Babaji in part one and Haidakhan Babaji in part two and reference both in disclosing historical information.

Mahavatar Babaji was described most extensively in the Autobiography of a Yogi written by Paramahansa Yogananda which was published in 1946. The teachings of Mahavatar Babaji are presented by Yogananda as being the most important teachings received by his gurus. Yogananda speaks about Mahavatar Babaji as a non-physical being that appears at will to deliver teachings and initiations. Lahiri Mahasaya was visited by Mahavatar Babaji in 1861.  Lahiri Mahasaya’s student Sri Yukteswar was visited by Mahavatar Babaji in 1863.  There are books written in India which speak of Mahavatar Babaji appearing.  Sri Yuketswar, Mahendra Baba and Vishnu Dutt wrote numerous books and poems based on the teachings of Mahavatar Babaji in the 19th and 20th centuries, some commissioned by Babaji himself.

Lahiri Mahasaya tells Yogananda of the promise Mahavatar Babaji made to stay embodied for all human existence in the presence of Lahiri Mahasaya and Ram Gopal. The story goes as follows:

Babaji appears in spectacular form near the Ganges as a whirling light in the sky which comes to terrestrial earth. Mahavatar Babaji emerges from the light and says, “Blessed sister, I am intending to shed my form and plunge into the Infinite Current.”

Mataji begs Babaji not to, “ever relinquish your form.”

“Be it so,’ Babaji said solemnly. ‘I shall never leave my physical body. It will always remain visible to at least a small number of people on this Earth.” (Yogananda 352).

Later Ram Gopal who witnessed the event said, “Babaji has been chosen by God to remain in his body for the duration of this particular world cycle. Ages will come and go – still the deathless master, beholding the drama of the centuries, shall be present on the terrestrial stage.”  (Yogananda 353)

Mahavatar Babaji had the power to bring people back from death into life displaying his ability to alter reality in inexplicable ways. Lahiri Mahasaya was witness to one such event recounted in Autobiography of a Yogi. A man climbed to a secret meeting on a inaccessible ledge deep inside the Himalayas. The man addressed Babaji saying, “Sir you must be the great Babaji!’ The man’s face was lit with inexpressible reverence. ‘For months I have pursued a ceaseless search for you among these forbidding crags. I implore you to accept me as a disciple.”

“When the great guru made no response, the man pointed to the rock-lined chasm below the ledge. ‘If you refuse me, I will jump from this mountain. Life has no further value if I cannot win your guidance to the Divine.’”

“Jump then,’ Babaji said unemotionally. ‘I cannot accept you in your present state of development.”

“The man immediately hurled himself over the cliff. Babaji instructed the shocked disciples to fetch the stranger’s body. After they had returned with the mangled form, the master placed his hand on the dead man. Lo! He opened his eyes and prostrated himself humbly before the omnipotent guru.”

“You are now ready for discipleship.’ Babaji beamed lovingly on his resurrected chela. ‘You have courageously passed a difficult test. Death shall not touch you again; now you are one of our immortal flock.’ Then he spoke his usual words of departure, ‘Dera danda uthao’; the whole group vanished from the mountain.” (Yogananda 349-350).

Lahiri Mahasaya’s first encounter with Babaji reveals wisdom about the nature of the universe and shows the unimaginable powers of Mahavatar Babaji.  Lahiri Mahasaya was working in autumn of 1961 when he heard a voice calling out to his from the forest. He ran to find the voice which was mysteriously calling. He came to a cliff side area with numerous caves. He ascended toward the voice when a man appeared on the ledge next to a cave and said, “Lahiri you have come! The magnificent palace will be the scene of your initiation tonight into Kriya Yoga. All your brothers here join in a paean of welcome, rejoicing at the end of your exile. Behold!” The simple cave instantly turned into a palace of unimaginable beauty.

“Before us stood a vast palace of dazzling gold…Towering archways were intricately inlaid with great diamonds, sapphires, and emeralds… I followed my companion into a spacious reception hall. The odors of incense and roses wafted through the air, dim lamps shed a multi-colored glow. Small groups of devotees, some fair, some dark-skinned, chanted softly or sat silently in the meditative posture, immersed in inner peace. A vibrant joy pervaded the atmosphere.”

“Feast your eyes; enjoy the artistic splendors of this palace; for it has been brought into being solely in your honor, my guide remarked, smiling sympathetically as I exclaimed in wonder.”

Templo Sacrosanto By Pablo Amaringo

“Brother,’ I said, ‘the beauty if this structure surpasses the bounds of human imagination. Please explain to me the mystery is its origin.”

“’I will gladly enlighten you.’ My companion’s dark eyes sparkled with wisdom. ‘There is nothing inexplicable about this materialization. The whole cosmos is a projected thought of the Creator. The heavy clod of Earth, floating in space, is a dream of God’s. He made all things out of His mind, even as man in his dream consciousness reproduces and vivifies a creation with its creature.”

“The lord first formed the earth as an idea and then matter came into being. He coordinated earth atoms into a solid sphere. All its molecules are held together by the will of God. When He withdraws His will, all earth atoms will be transformed into energy. Atomic energy will return to its source: Consciousness. The earth idea will disappear from objectivity.”

“The substance of a dream is held in materialization by the subconscious thought of the dreamer… A man closes his eyes and erects a dream creation, which, on awakening, he effortlessly dematerializes. Similarly, when he awakens in cosmic consciousness, he effortlessly dematerializes the illusion of a cosmic-dream universe.”

“In tune with the infinite all-accomplishing Will, Babaji is able to command elemental atoms to combine and manifest themselves in any form. This golden palace instantaneously brought into being, is real – in the same sense that the earth is real.”

“Whoever realizes himself as a son of God, even as Babaji has done, can reach any goal by the infinite powers hidden within him. A common stone secretly contains stupendous atomic energies; even so, the lowliest mortal is a powerhouse of divinity…”

“We entered an immense hall. In the corner stood a golden throne, encrusted with jewels that shed a dazzling medley of colors. There, in lotus posture, sat the supreme Babaji. I knelt on the shining floor at his feet.”

“Lahiri, are you still feasting on your dreams desires for a golden palace? My guru’s eyes were twinkling like his own sapphires. Wake! All your earthly thirsts are about to be quenched forever. He murmured some mystic words of blessings. My son arise. Receive your initiation into the kingdom of God through Kriya Yoga.”

“Babaji stretched out his hand; a homa (sacrificial) fire appeared, surrounded by fruits and flowers. I received the liberating technique before this flaming altar.”

Lahiri was instructed to close his eyes and upon opening them the palace had vanished and he was in the cave with the Babaji devotees. Then Babaji materialized food for everyone present.

“Few mortals know that the kingdom of God includes the kingdom of mundane fulfillments, Babaji observed. The divine realm extends to the earthly; but the latter, illusory in nature, does not contain the essence of Reality.”

“…My divine guru approached and passed his hand over my head. I entered nirbikalpa Samadhi state, remaining unbrokenly in bliss for seven days…I penetrated the deathless realms of Reality. All delusive limitations dropped away; my soul was fully established on the altar of the Cosmic Spirit.” (Yogananda 357-365).

Sri Yuketswar

This initiation experience marked the reintroduction of the forgotten Kriya Yoga to humankind. Sri Yukeswar, the student of Lahiri Mahasaya, also had an encounter with Mahavatar Babaji and received the Kriya Yoga initiation. Sri Yuteswar met Babaji at Kumbha Mela under a tree. The sannyasin, who is later reveal to be Babaji, said to Sri Yuketswar.

“Welcome Swamiji, ‘he said affectionately.”

“Sir,’ I replied emphatically, ‘I am not a swami.”

“Those on whom I am divinely directed to bestow the title of swami never cast it off.’ The saint addressed me simply, but deep conviction of truth rang in his words; I was instantly engulfed in a wave of spiritual blessing.” (Yogananda 388).

“I saw that you are interested in the West, as well as in the East.’ Babaji’s face beamed with approval.’ I felt the pangs of your heart, broad enough for all men. That is why I summoned you here.”

“East and West must establish a golden middle path of activity and spirituality combined, ‘he continued. ‘India has much to learn from the West in material development; in return, India can teach the universal methods by which the West will be able to base its religious beliefs on the unshakable foundations of yogic science.” (Yogananda 389).

Babaji gives a prediction that Yuketswar will have a devotee that will spread the spiritual message of India to the west; this devotee was Paramahansa Yogananda. Babaji requested that Sri Yuketswar write a, “…short book on the underlying harmony between Christian and Hindu scriptures,” (Yogananda 390). This book was written and called “The Holy Science”. Later Yogananda spread the teachings of his gurus to America selling millions of copies of Autobiography of a Yogi completing his mission assigned by Mahavatar Babaji and Sri Yuketswar.

“The ancient sage Patanjali, foremost exponent of yoga, who wrote: “Kriya yoga consists of body discipline, mental control and meditation on Aum.” (Yogananda 277). “Kriya Yoga is twice referred to by Lord Krishna, India’s greatest prophet, in the Bhagavad Gita. One stanza reads: “offering the inhaling breath into the exhaling breath and offering the exhaling breath into the inhaling breath, the yogi neutralizes both breaths; thus he releases prana from the heart and brings life force under his control.” Another stanza states: “That meditation-expert (muni) becomes eternally free who seeking the Supreme Goal, is able to withdraw from the external phenomena by fixing his gaze within the mid-spot of the eyebrows and by neutralizing the even currents of prana and apana [that flow] within the nostrils and lungs; and to control his sensory mind and intellect; and to banish desire, fear and anger.”(Yogananda 279). The practice of these techniques leads to deep peace and a rejuvenating feeling and should not feel forced or strenuous in anyway.

Mahavatar Babaji revealed the nature of the universe to be the thought of God held together by will and initiated Kriya Yoga, the control of life force in order to unite with the Divine reality. He spoke of the necessity of combining the wisdom of the East and West and of having our hearts open to all existences and all peoples.  Mahavatar Babaji is said to be embodied in all times to help humanity. He is the deathless yoga master who guides humankind by giving the best techniques for spiritual realization in any given age. Mahavatar Babaji revived the ancient science of Kriya Yoga in the 19th century, however, Haidakhan Babaji appeared in the 20th century and taught Karma Yoga (conscious work), Japa Yoga (repeating holy phrases) and Truth, Simplicity and Love. The teachings and stories of Haidakhan Babaji will be covered in Part Two.

Haidakhan Babaji

By: Transpersonal Spirit

Bibliography:

Paramahansa Yogananda. Autobiography of a Yogi. Self Realization Fellowship. 1946, 1974, 2005.

Rdhe Shyam, I am harmony a book about Babaji.  The American Haidakhan Samaj. Crestone, Co. 1990, 2006.

Haidakhandi Samaj. The Teachings of Babaji. Haidakhandi Samaj Haidakhan Vishwamahadham. 1984, 2004.

Haidakhandi Samaj. The Teachings of Babaji. Haidakhan Samaj. Haidakhan Vishwamahadham. 1983, 1990.

The Haidakhandi Samaj (UK). http://ombabaji.org.uk/?page_id=4

Visionart Art: Isaac Abrams

Visionary Artist

Isaac Abrams

Visual Matrix – Internal
Oil on Canvas. 55″ x 63″ (139.9cm x 160cm)
Isaac Abrams 2007

“Isaac Abrams was born and raised in the New York area. He is a self-taught artist with an academic background in literature, history, science and psychology. He founded the first gallery of Psychedelic Art in the world in 1965. He began working as a self-taught painter in the beginning of 1966. He began working as a sculptor in the 1970’s. He began extensive work as an animation artist in 1981. He has always painted.” (http://www.isaacabrams.com/biography.html)

Isaac Abrams is an elder of the psychedelic art movement and has had many exhibitions in major galleries throughout the world. He started CODA gallery which was the first gallery to feature psychedelic art. He began sculpting in the 1970 in Santa Fe. Starting in the 1980’s he began to display multimedia artwork for raves and large dance hall events in collaboration with his son. These multimedia performances stopped once the New York dance and rave scene was shut down through city ordinances. In 1995 he designed and created a 10-minute computer animated film for the World’s Largest Kaleidoscope in Mount Tremper, NY. In 1996 and in 1997, he developed two more computer-animated videos for the Kaleidoscope, entitled, “Peace on Earth,” and “Spring (Metamorphosis). He has created many hundreds of paintings in his career, some of the most recent examples are posted here.  He has been committed to art in its many forms and is one of the founders of psychedelic art.

Tree of Life One
Oil on Canvas. 63″ x 92″ (162.5cm x 231cm)
Isaac Abrams 2007

Until his first LSD session in 1965 at the Dream Laboratory in Brooklyn with Psychologist Stanley Krippner, Isaac Abrams did not consider himself an artist. After that mind-expanding event, he began to paint and his paintings displayed an intensely individual and vivid style. He started painting because he had a unique vision of what psychedelic art would look like. His images are dream like images display oceanic, microscopic and cosmic images. When speaking of his work he describes it as being realistic and it portrays the unity of the universe and the interconnectedness of nature through macro and microcosm united upon the canvas.

Walking Through Oneness
Oil on Canvas. 48″ x 63″ (122cm x 160cm)
Isaac Abrams 2007

When Speaking to Isaac Abrams he talked about psychedelics and the art scene of the psychedelic. He commented about how some artwork is not truly psychedelic but rather it is drug art, in other words, it’s art which which pays homage to drugs and not the psychedelic. Psychedelic literally means “mind manifesting” and art of a psychedelic nature is art which makes manifest the realities of the mind. The multivalent levels of the mind are often indescribable and many artist throughout time have attempted through art to show these inner mind states to others. Amongst this select group of artists Isaac Abrams has shown a unique personal vision of the depths of the mind and the images and themes of the dream like nature of the mind. He shows how the inner and outer realities, the personal and the other, the micro and the macrocosm are interrelated and inseparable.

Red One
Oil on Canvas. 48″ x 63″ (122cm x 160cm)
Isaac Abrams 2007

Meta Morphic Overdrive 1
Oil on Canvas. 54″ x 66″ (137cm x 167.6cm)
Isaac Abrams 2006


Meta Morphic Overdrive 2
Oil on Canvas. 47″ x 58″ (119cm x 147cm)
Isaac Abrams 2006

A Psychedelic Observation II
Oil on Canvas. 40″ x 48″ (101.5cm x 122cm)
Isaac Abrams 2007

A Tiger In the Garden
Oil on Canvas. 40″ x 40″ (101.6cm x 101.6cm)
Isaac Abrams 2006

Night Swimming In An Electric Sea
Oil on Canvas. 32″ x 32″ (81cm x 81cm)
Isaac Abrams 2005

A Dancing Wu-Li Master
Oil on Canvas. 32″ x 36″ (81cm x 91.5cm)
Isaac Abrams 2005

A Psychedelic Observation
Oil on Canvas. 36″ x 40″ (91.5cm x 101.5cm)
Isaac Abrams 2005

Micro Travels
Micro Travels I Graphite on Paper 2005 23.25″ x 32.25″ (59cm x 82cm)
By Isaac Abrams

Ontogeny
Oil on Canvas. 40″ x 40″ (101.6cm x 101.6cm)
Isaac Abrams 2006

Outside-Inside
Oil on Canvas. 36″ x 40″ (91.5cm x 101.6cm)
Isaac Abrams 2006

More on Isaac Abrams

www.isaacabrams.com

Isaac Abrams The Shape of the Mind. Published by FYR Arte Comtempoanea, Firenze Italy.

http://www.microcosmgallery.com/abrams/index.shtml

http://www.artnet.com/magazineus/reviews/mccormick/mccormick10-4-07.asp

http://www.poststarnews.com/news/x1942575782/Meet-the-Artist-Isaac-Abrams

Depression: A Transpersonal and Archetypal Perspective

Depression: A Transpersonal and Archetypal Perspective

By: Transpersonal Spirit

Alex Grey Despair http://www.alexgrey.com

Depression is extremely common in the USA today. Pharmaceutical companies are making millions on anti-depressants and at the same time making millions on pain killers which put one in a depressed state.  We live in a manic society where the pace of life is very rapid and many are whipped up into incredible stress with little time to sleep and nearly no time to relax. Depression seems to be the antithesis to the fast paced life style of America, and I believe that many of us could use a little more time to relax and unwind. However, if we spend too much time unwinding we are labeled as depressed.

Often times fatigue and depressed states can be an indicator that our body wants to slow down and recharge, however, our cultural upbringing tells us that this time to relax is lazy and should be medicated with a stimulant. This approach to life leads to many dangers including increased accidents from tired drivers, and a long list of health issues related to unmanageable stress.

There are many forms of depression to consider, in extreme situations a person will be unable to function and stay in bed for months at a time, other times people become suicidal depressed, and others become agitated, angry and anxious.  In these cases medical intervention can provide great relief but not for everyone, in fact, the side effects of depression medication include suicidal thoughts, insomnia, chemical addiction to the anti-depressant and decreased ability to experience pleasure and sensation.  Many of the medications on the market have proven to be less or as effective as a placebo. This all indicates that there is a misunderstanding about the nature of depression and a misapplication of treatments.  Let’s take a look at depression from a fresh perspective using transpersonal and archetypal psychology to get a better understanding of what this “depression” is.

In archetypal psychology depression is associated with the archetype of Saturn. Saturn represents heavy material states of being and is associated with hard work, sowing seeds, plowing the land, cycles of time and endings. The density of Saturn combined with the hard work necessary gives way to confusion, fatigue, hopeless, depression and the need for inner strength.

Saturn Devouring his Son, 1636 (oil on canvas) by Rubens, Peter Paul (1577-1640)

Richard Tarnas states, “It governs the material world, time, tradition, the past, aging, death, and the endings of things. The Saturn archetype is associated with the Greek mythic figure of Kronos, the stern father of the gods, the Roman Saturn. Called the Great Malefic in traditional astrology, it is associated with such archetypal figures as Fate, Father Time, Death, and the Grim Reaper. In Jungian and archetypal psychology, Saturn is often called the senex.

Saturn represents the hard structure of things, the reality principle, the bottom line. It is in many ways the opposite of Jupiter in nature: where Jupiter expands and grants success, Saturn contracts and inhibits; where Jupiter is liberal and magnanimous, Saturn is conservative and strict; where Jupiter uplifts, Saturn oppresses. Indeed, Saturn can well seem to be an one-sidedly negative planet in the astrological pantheon, though in fact the situation is much more complicated. Saturn opposes and limits, but in doing so, it strengthens, grounds, forges, gives our soul substance and gravitas, makes us real.” (http://www.gaiamind.org/AstroIntro.html)

Many psychologists today talk about overcoming depression or curing depression; however, in transpersonal and archetypal psychology depression is associated with Saturn and is just one archetype in a polytheistic universe of being. Rather than overcome the depression perhaps one should learn to use depression and integrate depression into their lives in a positive way in order to gain many benefits such as grounding, strength, and inner resolve. Many people have wondered what would have happened to artists like Van Gogh or Michelangelo if they had been given anti-depressants. Would they have still had the artistic vision and sensitivity to create some of the world’s most cherished artistic accomplishments? Even American Blues pioneers Robert Johnson and Lead Belly changed music forever with their music which was inspired by this archetype of Saturn.

In many ways this archetype can provide us with many gifts including creativity, compassion, empathy, and can even allow us to learn about the depths of our psyche. Depression often times causes individuals to isolate themselves from others and to do nothing for long periods of time. Culturally, in American we view this as being counterproductive and demonize it as laziness. This leads the person in these states to feel they are fundamentally flawed and even useless to society. Furthermore, since the state of depression is often involuntary they feel they have lost control, are diseased, psychotic and can never amount to anything in the future because of their current condition. This feeling is compounded by the fact that it can last for many years at a time with little to no break.

Vincent van Gogh – Skull with Burning Cigarette

This time of isolation and doing nothing can be a sign from our bodies that we need to recharge or even that we need to expand the understanding of our psyche. In Eastern traditions for example, extended periods of isolation and contemplation of one’s inner being are used for spiritual development. Also in Western science studies of voluntary isolation such as in sensory deprivation tanks and meditation can reduce depression, anxiety and self-judgments as well as introduce individuals to transcendent states of consciousness which can aid a person in healthy spiritual development. It is possible that by attempting to suppress the depression we are preventing it from teaching us its lessons and thus the depression knocks with increasing volume at our conscious door. It is also possible that the anxious, angry form of depression is increased in intensity by the continuous attempt to suppress and prevent its full expression.

Depression can be very serious and can lead to death through suicide; however, it can function as a rite of passage into a deeper understanding of the self and give empathy for others. Many who go through this experience can reach rock bottom and plunge into despair so profound and existentially nihilistic that they must end their old way and start over by seeking support.  If one survives this ordeal they can become “the wounded healer” helping others to overcome their trails.

Alex Grey Journey of the Wounded Healer http://www.alexgrey.com

This dominance of Saturn in one’s life can lead to a healthy integration of the archetype of Saturn and depression can become a great teacher and initiator. Through the trials of depression one begins to slowly open to the possibility of other archetypal energies being of primary influence in their life and they can live in a pluralistic universe expanding beyond their current limitations and reaching toward wholeness. Depression is a harsh teacher and its lessons are hard to swallow but by re-framing our situation and opening to the potential benefits it holds one may be able to find healthy integration for this force in their lives.

By: Transpersonal Spirit

Bibliography:

Bache, Christopher. Dark Night, Early Dawn: Steps to a Deep Ecology of Mind. State University of New York Press. 2000.

Estrin, Jesse. “Depression, Soul and Growing Down in a Manic Culture.” Lecture at pccforum.wordpress.com on 4/13/12.

Grof, Stanislav with Richard Tarnas, How Deep is Deep: Depth Psychology, Consciouness Research and Archetypal Astrology. Wisdom University tele-seminar May 15 2012

Grof, Stanislav. Healing Our Deepest Wounds The Holotropic Paradigm Shift. Stream of experience Productions, New Castle Washington 2012.

Tarnas, Richard. Cosmos and Psyche.

Tarnas, Richard. “An Introduction to Archetypal Astrology Analysis.” http://www.gaiamind.org/AstroIntro.html