Psychedelic Poster Art: Victor Moscoso

Psychedelic Poster Art

Victor Moscoso

Victor Moscoso 1968

Victor Moscoso is an academically trained artist who emerged as one of the most respected psychedelic poster artists. His posters turn traditional colour theory on its head. He used his training in colour and simply did the opposite of what he was taught. He created evocative, vivid, erotic, patterned posters designed for the newly emerged psychedelic culture of San Fransisco in the late 1960′s. He utilized hand made font, photo collage, and op art to create a new aesthetic portraying psychedelic consciousness. He created “slow read” posters where the text was nearly unintelligible unless times was taken to stare into the image and sort out the dazzling effects of the contrasting colours and intense patterns.

Many of these posters were displayed in rock concert halls like the Matrix, Avalon Ballroom and the Fillmore. These concerts had improvisational rock music and elaborate light shows with coloured lights, projections and strobe lights. The poster’s colours would appear and disappear as the various coloured lights shined upon their surface further adding to the dynamics of the posters and the psychedelic aesthetic of the time.

Moscoso created works which are classic examples of the peak of psychedelic poster art and commercial graphic design. He changed the rules and developed a visual lexicon which juxtaposed psychedelic art and the traditional arts of the past. He moved from the simple design and subdued colours of the past to hot colours and use of the artistic hand.

Victor Moscoso Avalon Ballroom 1966 Big Brother and the Holding Company

Victor Moscoso Avalon Ballroom 1967 The Doors, Steve Miller Blues Band

Victor Moscoso The Matrix 1967 Janis Joplin with Big Brother and the Holding Company

Victor Moscoso

Victor Moscoso

victor moscoso

Victor Moscoso

Victor Moscoso

Victor Moscoso KMPX Radio

Victor moscoso

Victor Moscoso Rites of Spring 1967

Victor Moscoso

Victor Moscoso

Bibliography:

Gastaut, Amelie and Criqui Jean-Pierre. Of the Wall Psychedelic Rock Posters from San Fransisco. Thames and Hudson 2005.

Hathaway, Norman and Nadel Dan. Electric Banana Masters of Psychedelic Art. Damiani. Bologna, Italy. 2011.

Owens, Ted and Dickson Denise. High Art: A History of the Psychedelic Poster. Sanctuary Publishing Limited. 1999.

Visionary Art: Fred Tomaselli

Visionary Art

Fred Tomaselli


FRED TOMASELLI
Glassy, 2006
Mixed media, acrylic and resin on wood panel
12 X 12 inches

Fred Tomaselli is a part of the contemporary art scene showing at major galleries and museums around the world. He uses collage, painting and objects like marijuana leaves, pills of ecstasy, photos and other materials under an epoxy resin. The works are often very large in scale and are highly detailed using collage and painting. He likes to make multiple realities to intermix in the images and attempts to be ambiguous about the reality of the work to get the viewer to be aware of their own perception. He states, “For me art is primarily about perception and how it modifies perception… The picture is a window to another reality and there is this other world represented in a painting, This concept dovetailed uncannily with the rhetoric coming out of psychedelic drug culture, it also intersects with the idea of losing one’s self in this other place. Like something was so great you were diminished in by it. That sort of danger tangentially related to drugs and art. For me, when I started to putting psychoactive material in the work the pot leaves and that sort of thing, I was really thinking about rearranging the use value of those objects instead of traveling through the blood stream to alter consciousness they travel through the eyeballs… You can use them over and over again instead of it being consumed dissolved and excreted… they can be inexhaustibly psycho active.” (Fred Tomaselli except from interview at http://storycollider.org/podcast/2011-02-17/)


FRED TOMASELLI
Abductor, 2006
Leaves, photocollage, acrylic and resin on wood panel
96 X 78 inches

Fred Tomaselli says that his own psychedelic experiences have transformed his perception and inspired some of the imagery in his works.  The work invokes the sense of dissolution of boundaries and the micro and macro colliding. Often it is difficult to tell if the image is portraying the vastness of a star filled universe or the infinite combinations of chemicals the make up our environment and bodies. Human beings composed of thousands and geometrical chemical molecules creating the vary substance of who we are shown in a backdrop of deeply layered pattern freeing the viewer from the need to relate to observable landscape.


FRED TOMASELLI
Halo of Flies, 2006
Mixed media, acrylic and resin on wood panel
18 X 18 inches

FRED TOMASELLI
Avian Flower Serpent, 2006
Leaves, Photocollage, Acrylic, Gouache and Resin on wood panel
84 X 72 1/2 inches


FRED TOMASELLI
Guilty, 2005
Print
13 X 13 inches
Edition of 100


FRED TOMASELLI
Geode, 2006
Leaves, photocollage, Acrylic, gouache and resin on wood panel
24 X 24 inches

Fred Tomaselli

Fred Tomaselli (American, b. 1956). Untitled (Expulsion), 2000. Leaves, pills, insects, acrylic, photocollage, and resin on wood panel, 84 x 120 in. (213.4 x 304.8 cm). Collection of Peter Norton

Fred Tomaselli, Hummingbird Bird, Courtesy of James Cohen Gallery

Fred Tomaselli

Detail of Fred Tomaselli’s work

Fred Tomaselli, ‘After Utah Saint’, Iris print, 46.3×33.7cm, 2000.

Fred Tomaselli

Fred Tomaselli (American, b. 1956). Big Raven, 2008. Acrylic, photocollage, and resin on wood panel, 84 x 72 in. (213.4 x 182.9 cm). Private collection, courtesy of the artist, White Cube, London, and James Cohan Gallery, New York

Fred Tomaselli (American, b. 1956). Echo, Wow, and Flutter, 2000. Leaves, pills, photocollage, acrylic, and resin on wood panel, 84 x 120 in. (213.4 x 304.8 cm). Albright-Knox Art Gallery, Buffalo, New York. James G. Forsyth Fund

By Transpersonal Spirit

Bibliography:

http://storycollider.org/podcast/2011-02-17/

Parapsychology

Parapsychology

Autumn Skye Remembering Eternity

Parapsychology is the study of extended mind, esp, telepathy, clairvoyance, remote viewing, psi, the seventh sense, and psychic abilities. Parapsychology currently is being researched by credentialed scientists with the strictest of controls to insure accuracy. The results show statistical support that many forms of psychic phenomena happen. The results have been repeated in scientific research carried out over the last 150 years.  There is so much evidence for the existence of these extended mind abilities that many skeptics and intellectuals are beings forced to take a look at ingrained assumptions in the scientific community and look at the results of the research.

Human beings continuously score above chance, statistically, in numerous tests to study the wide variety of psychic abilities. How is it possible that one can repeatedly guess above chance in situations like guessing the image before it shows up on a screen, synchronizing brain waves with someone thousands of miles away, or faster healing for patients being prayed for? These types of studies are forcing us all to question whether humanity has the ability to access information using channels unknown to standard science.

Psychologist Stanislav Grof comments on parapsychology because he has encountered it repeatedly in clients during therapies which induce non-ordinary states of consciousness.  He says,

“Traditional scientists consider psychic phenomena impossible because they imply transfer of information or even influence on material processes without the mediation of known channels and energies. The common denominator of the experiences and events belonging to this category is that they transcend the usual limitations of space and time. Psychic phenomena can manifest under ordinary circumstances and do not necessarily require a change in consciousness. However, holotropic states (a category of non-ordinary states) greatly increase their incidence… Telepathy is direct access to the thought process of another person without using words, non -verbal clues, signs, or other conventional means of communication. Out-Of-Body Experiences are episodes during which disembodied consciousness is capable of moving in space and accurately perceiving the environment. When such perception involves remote locations, it is referred to as astral projection. … precognition is accurate anticipation of future events without any objective clues. Clairvoyance is the capacity anticipation of future events without using the ordinary channels; it involves transcendence of spatial barriers, temporal barriers or both. Psychometrics is a process of obtaining information about the history of an object, facts and impressions about a person to whom this object belonged by extended tactile contact with that object. The term psychokinesis refers to situations in which material objects or processes are influenced by psychological means.”  (Grof 2006 pg 169 – 170).

Robert Morris studied the effects of thought on random number generators concluding that thoughts effect the sequence of numbers in random number generators.

“Until his death in 2004, for 19 years Robert Morris and his parapsychological colleagues around the world conducted experiments that showed statistical evidence for the existence of psi abilities with odds against chance of millions to one….And the results obtained by Morris and his team at the Koestler Institute and other centers of such research, such as Princeton Engineering Anomalies Research (PEAR) Laboratory in the US, are tens of thousands of times more significant then the evidence required by the governments to allow pharmaceutical companies to market a new drug!” (Laszlo, Currivan 2008 Pg 95).

Remote viewing is seeing a place in the present time which is far way through closing the eyes and imagining. Many organizations began a series of studies starting in the 1970’s; the CIA, Stanford Research Institute (SRI) from 1973 to 1988, a government funded think tank called Science Applications International Corporation from 1989 to 1993 all found positive results supporting the existence of remote viewing these studies where then replicated at Princeton University showing statistical odds against chance to 100 billion to one. (Laszlo, Currivan 2008, Sheldrake 2003).

Well documented cases of precognition have been collected since the 1880’s up to the present and taken all together the results show that there are precognitive events occurring in humans. In a total of over 2 million individual trials the combined results of these studies produced odds against chance of 10000000000000000000000000 to 1. (Sheldrake 2003).

These statistical numbers such as a billion to one, mean that the odds of a person guessing as documented in the studies by mere chance is a billion to one. It suggests that people have the ability to produce results that are contrary to what should occur by chance. For example, the odds of guessing the top card in a deck of cards in 1 out of 52, however, humans get the card correct more often than 1 out of 52. The compiled results prove that humans in precognitive tests guess above chance to such a significant degree that the odds of it being pure luck or chance are a billion to one. The deeper meaning of this statistic is that humans have the ability to guess better then chance in precognitive tests and no one knows how or why.

Randolph C. Byrd (1988) conducted a double blind experiment on distant prayer healing. This occurred in The San Francisco Hospital. The patients and physicians had no idea what patients were being prayed for at a distance by a prayer group. The group which was prayed for had decreased recovery time and thus healed faster. (Laszlo, Currivan 2008, Sheldrake 2003).  Astronaut Edgar Mitchell believes he was healed by a distance healer from Toronto and that inspired the creation of IONS. These results have been tested repeatedly since that time by organizations like IONS (Institute of Noetic Sciences) with similar results.

By Android Jones

The idea of psi abilities is paradigm shattering and is in stark contrast to the Newtonian and Cartesian worldview of many atomistic scientists. However, many brilliant scientists are embracing the psychic research.  Ervin Lazslo and other quantum physicists see psi phenomena as an experiential component of the quantum level of reality.

In quantum physics space and time are non-existent, information is non-local in nature, the information in the universe is holographic and everything is interconnected.  This suggests that all information in the history of the universe is within each piece at all times. In this level of physics all information is theoretically available to anyone at all times. These theories are developed with complex mathematics and are accepted by the scientific community yet the actually experience of these quantum realities in modern humans is very controversial.

Laszlo suggests in his books that psychic phenomena and accessing information through unknown channels is simply the experiential component of quantum physics at play. When humans guess above chance repeatedly they may be utilizing a quantum information system which gives them the ability to guess above chance. Likewise, when one is healed from a distance or senses a loved one has died or is in danger they too maybe accessing this quantum reality.

In-depth psychology, individuals experiencing non-ordinary states of consciousness report gaining insight into their birthing process, past lives and divine realities. This is often related to the collective unconscious of humanity coined by Carl Jung. This kind of information is obtained through channels which are unknown to science. In recent times, many of the states involving the collective unconscious have been called transpersonal experiences by psychologists and represent the variety of phenomena which occur when one can transcend the spacial limitations of the ego encapsulated self. When this occurs individuals experience what is thought impossible, ESP, precognition, clairvoyance, telepathy and access to detailed and verifiable non-local information among them.

Psychic phenomena is not just a creation of myth, superstition and fantasy, but is a controversial field of science which is fast gaining credibility. Thousands of tests have been conducted which point to the existence of psi phenomena as a reality. Quantum physics has put forth a view of the universe which can serve as an explanation for how it is possible with in the laws of mathematical science and theory. Multiple branches of psychology have observed these phenomena in therapies which trigger access to the depths of the psyche. Once the depths are reached people transpersonalize, or leave their limited self and enter into the collective unconscious and experience the quantum realities first hand. It gives us a glimpse into the miracles performed by the great saints of India and insight into experiences which emerge from spiritual practices.

Stanislav Grof states, “Once we accept the existence of transpersonal experiences, we realize that all or most of them can mediate access to new information through channels unknown to present science, whether they involve other people, other life forms, archetypical figures and realms, or various episodes from human history. Once the ability of the human psyche to access new information without the mediation of senses is generally accepted, there will be no need for a disincline specializing in the study of a relatively narrow selection of specific psychic phenomena. What in the past was considered “paranormal” will be seen as a normal capacity of the human psyche.” (Grof 2006 pg 173).

By Transpersonal Spirit

By Amanda Sage

Bibliography

Amit Goswami, Quantum Doctor A Quantum Physicists Explains the Healing Power of Intergrative Medicine.  Hampton Roads Publishing Company, Inc. VA. 2004, 2011.

Emoto, Masaru. The Hidden Messages In Water. Beyond Words Publishing Inc. Hillsboro, OR. 2004.

Grof Stanislav, Albert Hoffman, Andrew Weil. LSD Psychotherapy, Maps Publishing CA. 1980, 1994, 2001, 2008.

Grof, Stanislav When the Impossible Happens.  True Sounds Inc. Boulder, CO. 2006

Grof, Stanislav, Joan Halifax, Smith, Huston, David Jay Brown and Peter Gasser. The Ultimate Journey. MAPS CA 2006, 2010.

Grof, Stanislav. Healing Our Deepest Wounds The Holotropic Paradigm Shift. Stream of Experience Productions, New Castle Washington 2012.

Grof, Stanislav, Erin Laszlo and Duane Elgin. New Frontiers for Science and Healing: Is Science Ready to Welcome Spirit? Wisdome University teleseminar june 5 2012

Laszlo, Ervin, Currivan, Jude. CosMos: A co-creator’s guide to the whole-world. Hay House Inc. Carlsbad, ca. 2008.

Sheldrake, Rupert. The Sense of Being stared at and Other Aspects of Extended Mind. Crown Publishers New York. 2003.

Visionary Art: Pablo Amaringo

Visionary Art

Pablo Amaringo

“The pictures themselves have messages and teachings that train the mind to see what could have happened in the past and what can happen in the future. They open up other ways of seeing, which you could call sacred or divine. I would like my pictures to inspire a different idea of religion, one that is not given in exchange for something but is free.” (Amaringo 1).

Unicornio Dorado By Pablo Amaringo.  Featured in the book ‘The Ayahuasca Visions of Pablo Amaringo’ by Howard G Charing; Peter Cloudsley

 

Pablo Amaringo was born in 1938 in Loreto, Peru. His artworks are known world-wide and he is considered one of the most influential Peruvian painters in history. His paintings show the world he is familiar with painting the rainforest in the Amazon region with the many plants and creatures living there. His paintings also depict the spirit world known to the peoples of his region. This spirit world is entered through prayer and through the use of visionary plants most commonly ayahuasca. The spirit world includes spirit beings of all kinds, ufos, giant serpents, angels, luminous cities existing in another plane of consciousness; this is what Pablo Amaringo called the divine or sacred reality. Each object, intelligent being and motif has specific meanings which are revealed in the book, “The Ayahuasca Visions of Pablo Amaringo”. These paintings give a glimpse into the unseen world of the Peruvian healers, shamans and common peoples.

Pablo Amaringo tried ayahuasca for the first time with his grandfather when he was ten years old because he had heard of others who drank it and was curious. He entered the spirit world and lost feeling of his body. He was a bit frighten but saw spirit beings traditionally spoken of in the region.  Ayahuasca was and still is a sacred sacrament which connects the person to the spirit world. Ayahuasca is a combination of plants cooked down in a specific way and contains psychedelic compounds. There are many ayahuasca churches both indigenous and Christian throughout South America and is commonly used for healing and spiritual purposes.

Transformacion del Chaman en Aguila By Pablo Amaringo. Featured in the book ‘The Ayahuasca Visions of Pablo Amaringo’ by Howard G Charing; Peter Cloudsley

Pablo Amaringo faced a deep sickness after his family was killed in a car accident. He went to his fathers house and was healed with ayahuasca in the 1970s. Pablo said, “I thought ayahuasca must be a good medicine because it worked for me – I saw visions, and even today remember everything that I saw.” After his recovery he realized, “life had no meaning unless one looked for the spiritual whether through taking plants or by following a religion.” (Amaringo 21).

Ayahuasca Raura By Pablo Amaringo. Featured in the book ‘The Ayahuasca Visions of Pablo Amaringo’ by Howard G Charing & Peter Cloudsley

Pablo Amaringo was an artist, spiritualist and healer. He made art works which depicted the spiritual world of his people which he accessed with ayahuasca. He infused his paintings with icaros or magical incantations. He says, “If you concentrate and meditate on the paintings, you will receive this spiritual energy.” Howard Charing writes, “Although he had stopped drinking ayahuasca many years prior, he had the ability to perfectly recall each of his visions. On one occasion he said to me, ‘I do not need to drink again; ayahuasca has connected me to the spirit world.’” (Charing xi).

Jehua Supai  - Featured in the book 'The Ayahuasca Visions of Pablo Amaringo' by Howard G Charing &; Peter Cloudsley

Jehua Supai – Featured in the book ‘The Ayahuasca Visions of Pablo Amaringo’ by Howard G Charing &; Peter Cloudsley

He did conduct healing ceremonies with ayahuasca as a medicine man or shaman. He stopped because of threats from sorcerers. The sorcerers are those who use ayahuasca and the spirit world to do harm to others. He later stopped doing healing for people saying that even healing is a form of sorcery. He came to teach art and opened a school to teach Peruvians painting and drawing. He felt that art was the highest pursuit. He painted ayahuasca visions but also painted many landscapes filled with the diverse plants and animals of the amazon.  Collector world-wide have gone to Peru seeking Pablo’s artworks as well as artists imitating and developing his style.

Pagoda Dorada By Pablo Amaringo

Pagoda Dorada By Pablo Amaringo. Featured in the book ‘The Ayahuasca Visions of Pablo Amaringo’ by Howard G Charing & Peter Cloudsley.

Pablo states, “The best thing you can leave is a seed for others to work with. I am not just a person; I am a spiritual person. I always communicate with the great universal force, which is the rock of perfection – Dios – that I have seen in my ayahuasca visions, and which has always spoken to me. “ (Amaringo 1)

Llullon Llaki Supai By Pablo Amaringo. Featured in the book 'The Ayahuasca Visions of Pablo Amaringo' by Howard G Charing &; Peter Cloudsley

Llullon Llaki Supai By Pablo Amaringo. Featured in the book ‘The Ayahuasca Visions of Pablo Amaringo’ by Howard G Charing &; Peter Cloudsley

Nukno Maschashka By Pablo Amaringo. Featured in the book ‘The Ayahuasca Visions of Pablo Amaringo’ by Howard G Charing & Peter Cloudsley

Nukno maschashka has people chanting in a ceremony at the bottom and shows how prayers and songs are sent into the higher spheres of the cosmos. The chant is a song gained from the spirits in a quite place in the woods.  Each of the plants, peoples, animals and spirits represented are specific beings and objects with a deeper meaning for the whole of the image. One can see angels, healing medicine women,  ceremony, serpents of wisdom, healing plants and the high realms of the spirit world resounding with music. The healing ceremony and healing chants are carried by the spirits into the spirit world.

Sumac Icaro By Pablo Amaringo. Featured in the book 'The Ayahuasca Visions of Pablo Amaringo' by Howard G Charing; Peter Cloudsley

Sumac Icaro By Pablo Amaringo. Featured in the book ‘The Ayahuasca Visions of Pablo Amaringo’ by Howard G Charing; Peter Cloudsley

Yana Huarman By Pablo Amaringo. Featured in the book ‘The Ayahuasca Visions of Pablo Amaringo’ by Howard G Charing & Peter Cloudsley

Angeles Avatares By Pablo Amaringo. Featured in the book ‘The Ayahuasca Visions of Pablo Amaringo’ by Howard G Charing; Peter Cloudsley

Templo Sacrosanto By Pablo Amaringo. Featured in the book ‘The Ayahuasca Visions of Pablo Amaringo’ by Howard G Charing & Peter Cloudsley

Alli Mariri By Pablo Amaringo. Featured in the book 'The Ayahuasca Visions of Pablo Amaringo' by Howard G Charing; Peter Cloudsley

Alli Mariri By Pablo Amaringo. Featured in the book ‘The Ayahuasca Visions of Pablo Amaringo’ by Howard G Charing; Peter Cloudsley

 

La Principa de la Vida by Pablo Amaringo. Featured in the book 'The Ayahuasca Visions of Pablo Amaringo' by Howard G Charing; Peter Cloudsley

La Principa de la Vida by Pablo Amaringo. Featured in the book ‘The Ayahuasca Visions of Pablo Amaringo’ by Howard G Charing; Peter Cloudsley

Ondas de la Ayahuasca by Pablo Amaringo

Ondas de la Ayahuasca by Pablo Amaringo. Featured in the book ‘The Ayahuasca Visions of Pablo Amaringo’ by Howard G Charing & Peter Cloudsley

Los Grados del Curandero By Pablo Amaringo. Featured in the book ‘The Ayahuasca Visions of Pablo Amaringo’ by Howard G Charing & Peter Cloudsley

Amazónica Romantica By Pablo Amaringo. Featured in the book ‘The Ayahuasca Visions of Pablo Amaringo’ by Howard G Charing & Peter Cloudsley

Misterio Profundo By Pablo Amaringo

By Transpersonal Spirit

Bibliography

Charing, Howard; Peter Cloudsley, Pablo Amaringo. The Ayahuasca Visions of Pablo Amaringo. Inner Traditions.  Vermont. 2011.

http://www.ayahuascavisions.com/

Saints of India: Haidakhan Babaji

Saints of India

Babaji

Haidakhan Babaji

Part Two

“I am everywhere.

I am in your breath.

I am the mirror in which you can see yourself.

I am Bhole Baba, the father who is simple.

I have come to help you, to guide you. Place your burden at my feet.

I will carry your burden.” -Babaji (Caddy 143).

“I have come to lead you to the awareness of oneness beyond duality, to dispel the disunity caused by confessions of faith, religions and castes. There is only one humanity, be human! Seek to experience in your awareness that we are all one. I want to show you a freedom beyond your perceptions, where the lions and the goat are drinking together from the same spring.” – Babaji. (Caddy 143).

Babaji taught Karma Yoga with mantra repetition as the fastest way to God in our chaotic times. He emphasized the path of selfless action in order to see god in everything and wanted his followers to see the divine in all things. He always emphasized that all peoples of the world are divine and accepted people of all religions and faiths using saints and teachers from other traditions as examples of aspects of his teachings. He embraced the world and helped remove the ego limitations of his followers. He opened numerous hospitals and social service centers in India with the help of his followers. Babaji was creating a more just world filled with universal peace guided by good will.

Many of those who came to him recall the power of his presence with floral language and deep love. Around Babaji is a feeling of unconditional love, his gaze sees into our thoughts and into our karma. He knows the best and worst parts of who you are and loves you unconditionally.  The teachings are unique for each individual and his reasoning is mysterious. He is a god realized being here to teach and guide humanity. They speak of his eyes so deep, profound and mysterious as though his gaze sees every cell in the body. They speak of blissful union with the divine and challenging lessons which delivered great spiritual rewards. Many followers devote their lives to his teachings and continue to honor their guru. They say that even though Babaji has left his material body that he still guides them and teaches them.

Haidakhan India

Shri Haidakhan Wale Babaji mysteriously appeared in June 1970 in a cave at the foot of Kumaon Mount Kailash in the Nainital district of Uttaranchal. The cave is spoken of in the Vedas as a dwelling place of the divine.  Babaji was a youth between the ages of 18 and 20 and he had no birth record or known family. He could quote Sanskrit scriptures from memory and could live with little to no food for three years at a time.  He would move into deep meditative trances for up to 45 days and radiated wisdom. Babaji has spiritual powers and could heal the sick, predict the future, read minds and bring people into relationship with the divine.

The stories of his appearance spread quickly and many came to be with Haidakhan Babaji. Those who came to him say they were summoned in visions, dreams and by synchronic events. Often Babaji would materialize in front of the person calling them to his side at the ashram in Haidakhan.  His followers included a wide range of ages and races with many western devotees. At the Ashram the devotees and visitors would bath in the river, meditate and practice karma yoga until sunset. Babaji spoke rarely and usually spoke a few words in the morning and evening Aarati (spiritual service).

Babaji said, “To follow and demonstrate the path of Truth, Simplicity and Love is man’s supreme duty and the highest yoga. Diligent work is a quality of this Path, and laziness is death on earth. Only by work can one claim victory over karma. All must strive to do their duty in the best way possible and not wander from that duty. Service to humanity is the first duty. During these times, inhumanity and laziness have increased, so it is important that you work hard and not lose heart. Be brave, be industrious, work hard and have courage.” (Haidakhandi Samaj 1990 pg. 8).

Babaji led his devotees by example. He would help serve food, help with the dishes, often he would only speak a few words a days and stay up all night meditating. He loved all who came and met all his followers where they were at in their spiritual journey. He demanded unshakable faith from his devotees. He wanted each person to keep their mind in god and love and if one was not doing their best to hold their awareness he would ask them to leave the ashram.

As with all gurus Babaji makes statements and tasks which are intended for specific individuals in order to trigger spiritual growth in the devotee. At a later time he may encourage the devotee to do the opposite of what he told them in the past. This leads to Babaji making contradictory statements often because each individual needs to hear and experience different things at different times to grow spiritually.  Sometimes lessons can seem harsh but the followers often come to a deep epiphany about why they received the challenging teaching.

Babaji once sent a western devotee home because they had lost faith. Babaji said, “You are being sent back to your country because you have lost faith. If you were a true devotee, you would have unshakable faith and a steady mind…By giving temple duties, I accepted you as a devotee…I am responsible for you and your liberation! Whatever initiation you need, I will give you. Why then should you doubt or seek elsewhere? … Your faith must be as mighty as Mount Meru. Even the sun and the moon can move from their course, but the faith of the devotee should not be shaken. A true devotee will be ready to shed their life for God and will have faith to his last breath. Never be moved by false doctrines! You are protected in every moment.” (Shyam pg 184).

Babaji could be the compassionate Shiva and could also be the harsh teacher bringing people to fully experience their limitations and their emotional limits. Babaji states,”The path of God-realization is a most difficult one. Few are those who will walk it. It is difficult as walking on the edge of a razor. The grace of the guru is everything. No knowledge is possible without the Guru.” (Shyam 184).

To keep the mind focused on God one should repeat a mantra continuously. He said all mantras are good to do but Babaji preferred ‘Om Namah Shivay’. This means “I take refuge in God” or “I surrender to you Lord”.

Babaji said, “Om namah shivay is the great original mantra, it is one with the primal sound of the creation. The power of OM namaha Shivay is infinite, it is stronger then all the atomic bombs of the world.” (Caddy 145).

He wanted to bring his followers to the essential nature of the universe and it could not be reached without continuous awareness and dedication. His devotees have to be who they truly are, they have to reach beyond their limitations to experience themselves as one with all existence. He said they must stop the cycle of karma through selfless action and awareness focused one god.

Babaji spoke of karmic law saying, “Karma is an inevitable law of cause and effect by which all living beings reap the fruits of their actions and thoughts…The law of karma is above all things. Karma starts when movement starts in the mind. To stop karma, we must bring the mind to that state of silence and voidness beyond which god can be known…Otherwise, as long as a man breaths, he is creating karma. No one can remain without action, even for a minute. Therefore, learn how to dedicate your every action to the Lord.” (Shyam 234 – 236).

The devotee Sheila asked Babaji about why he struck a man. She said, “Baba you are the lord of forgiveness; why did you do this to that man? Why not forgive the man? You shouldn’t be so angry.” Babaji replied, “Forgiveness has gone to the Himalayas! I cannot forgive that. I am bound by laws… This is to be understood: there is nobody above the law! … The law is above everything: even I am not above the law.” (Shyam 169).

Part of this law is the law of karma. It is possible that due to past actions this man could have a great deal of karma that threatens his health or his life. By the firm hand of the guru this karma can be resolved.

This type of action by Babaji drew many questions from his devotees. One of Babaji’s closest devotees, asked about non-violence, Babaji said, “I want brave and courageous people. A man must have great courage… I want a creation of brave, fearless and courageous people. I want people with a strong revolutionary spirit who are willing to fight for the truth. I want to root out the present spirit of non-violence from the world; this emphasis on non-violence has brought an increase in atrocities and injustice in the world. I do not want a world in which the rights of human beings are trampled, as the world today. This practice of non-violence has led people into ignorance, instead of leading them into knowledge. Due to this kind of non-violence, man has been deprived of his rights and he is afraid of his own shadow. I want a creation of powerful people throughout the world.” (Shyam 219).

Babaji never defined exactly what he meant with the term non-violence but did emphasis the need for action, truth, courage and the dangers of laziness. Also this term could have been used to trigger a specific association in a particular devotee. Babaji frequently made statements about the need for revolution, justice and active strength. He often suggested that simply by allowing malignant violence to occur and not standing in opposition we ourselves participate in the injustice. Babaji wanted courageous and brave followers willing to advance humanity through selfless action, Karma Yoga focused on Gods endless love.

He called for a revolution which could move humanity in the direction of global peace and divine realization. Karma Yoga, selfless action, was the ultimate path toward realization in this age.  It required unshakable faith, strength and a steady mind focused always on God. Babaji says, “…you must keep your duty before you always. We must all have one purpose before us – to sacrifice ourselves for the sake of humanity. We must live for humanity and die for humanity. We must offer our loves for the welfare and security of society. This must be our aim our bhajan. This is our bhajan, our kirtan; this is our repetition of the name. We should always proceed with this in mind.” (Shyam).

Babaji also had predictions for the future which he would spoke of many times. His predictions are of a future world filled with destruction and warned all devotees to be prepared. He said, “Be strong in the time of great revolution which is coming. No one can stop the fire coming in the world now. The bells of great destruction are already ringing. The war will be such that people sleeping will die immediately in their houses from gas, atomic and nuclear radiations.” (Haidakhan Samaj 21). He made many statements about the coming fires and storms and the death of millions of peoples.

Haidakhan Babaji left his body on Valentine’s day Feburary 14th 1984. He stated, “This body is nothing; it is here only to serve people.” (Haidakhandi Samaj 1990 pg. 9). He went through months of incredible suffering before passing. He was taking on the karma of millions breathing in the suffering of the world and exhaling love and peace. His passing was accompanied by large storms and flooding in Haidakhan. At his cremation the full moon was surrounded by rings and light appearing to devotees like a jeweled net in the sky.

Babaji became the great love of hundreds of devotees and followers. He opened their heart moved them forward in their spiritual understanding and personal development. His ability to lift devotees to transcendent heights is a great gift to the world. Many of his followers are true embodiments of karma yoga and driven passion for serving others and bettering the world.

“Seek harmony in everything you do. I am harmony.”-Babaji (Caddy 144).

By Transpersonal Spirit

Bibliography:

Caddy, Renata. Encounters with Babaji Master of the Himalayas. Findhorn press. Germany. 2012.

Rdhe Shyam, I am harmony a book about Babaji.  The American Haidakhan Samaj. Crestone, Co. 1990, 2006.

Haidakhandi Samaj. The Teachings of Babaji. Haidakhandi Samaj Haidakhan Vishwamahadham. 1984, 2004.

Haidakhandi Samaj. The Teachings of Babaji. Haidakhan Samaj. Haidakhan Vishwamahadham. 1983, 1990.

The Haidakhandi Samaj (UK). http://ombabaji.org.uk/?page_id=4

Visionary Art: A. Andrew Gonzalez

Visionary Art

A. Andrew Gonzalez

“It’s in the realm of the soul that we find the heavens that govern the sky.” Rumi

Yemanja By A. Andrew Gonzalez

A. Andrew Gonzalez is a self taught artist working in airbrush. He paints beautiful images of figures primarily feminine surrounded by mystical light and haloed with jeweled nets of being. He is the antithesis to H.R. Giger’s airbrushed nightmares of the grotesque; portraying the luminous nature of transcendent realities. The Figurative images at first appear to be done in relief, but in fact, are primarily monochromatic paintings with airbrush and other materials. The ecstatic moment and the eternal dance of the the infinite flowing around his archetypal figures. His work is like a mirror of divine light reflecting the spiritual energies inside our own being. Gonzalez states that his life long interest in the arcane, mystical and esoteric are the primary inspiration for his art linking himself to the visionary art movement with inspiration from Alex Grey, Robert Venosa, H.R. Giger, Dali and Ernst Fuchs. He teaches courses in fantastic and visionary art in the US and aboard and has exhibited in the US and Europe.

Fravashi By A Andrew Gonzales.

The Creatrix By A. Andrew Gonzalez

Crescendo of the Heart By A. Andrew Gonzalez.

Unio Mystica By A. Andrew Gonzalez.

Summoning of the Muse By A. Andrew Gonzalez

Magia By A. Andrew Gonzalez

More links to A. Andrew Gonzalez

http://sublimatrix.com

http://www.arthistoryarchive.com/arthistory/contemporary/A-Andrew-Gonzalez.html

Visionary Art: Mati Klarwein

Visionary Art

Mati Klarwein (1932-2002)

Nativity By Mati Klarwein

Mati Klarwein was born in Hamburg, Germany in 1932. His father was an architect and later designed the Knesset Parliament Building in Jerusalem. His Mother was an Opera singer. The Klarwein family fled Nazi rule and settled in Isreal. Mati later studied in Paris at Ecole des Bauex Arts with Fernand Leger. Mati’s work become heavily influenced by surrealism and visionary art. He went on to be mentored by Ernst Fuchs an Austrian artist famous as a pioneer in visionary art and co-founder of the Vienna School of Fantastic Realism. Ernst Fuchs taught Mati the painting techniques of the Dutch masters which he would utilize for his entire career. He spent about a third of his life in Deya on the Northern coast of Majorca in Spain. Mati describes Deya in 1983 as, “A community of misfits and artists, founded in the 1920′s by Robert Graves, he is still living there, Deya is a timeless and naked singularity.” Mati embraced the newly emerging paradigm of planetary consciousness, creative community, consciousness exploration and the arts. He love the Black American musicians like Miles Davis , Jimi Hendrix and Yusef Lateef immortalizing their images on record covers and in his art.

Bavarian Angel By Mati Klarwein

Mati Klarwein’s work is ecstatic vision and psychedelic cosmic consciousness expressed using tempera paint on canvas. His paintings stand as early masterpieces and help define visionary art. His works graced the cover of Miles Davis’s Bitches Brew, one of the greatest jazz albums of all time, transmitting his inner vision into the minds of millions viewers.  He expressed the oneness of humanity by painting people from all parts of the globe together peacefully co-existing. He created a new holistic visual languages to express  ecstatic depths of communing with the entire web of life. His images reveal a luminous reality and utilize a new symbolism to represent the depths of human experience. His work invites the viewer to slip into another state of mind and to explore the deep cosmic ocean that lives in the imagination.

Moses By Mati Klarwein

Mati’s impact upon the surrealist, psychedelic and visionary art scenes is paramount. His images remain some of the most viewed works in the psychedelic art movement. Mati was an artist of uncompromising vision he demanded that his art books be published in the way he wanted leading him to start his own publishing company to publish his own art books. His art flows like the music of the times, eclectic, vibrant, electrifying and avant-garde. Using techniques of the distant past, infusing it with new styling, utilizing new paradigm ideas of consciousness exploration, and radical innovation of old forms. His work has spiritual motifs from world cultures as well as figures from the world over. All infused with a lysergic aesthetic  which stands as a defining style in the psychedelic art movements to this day. Open your inner sanctuary to the vistas of Mati Klarwein and explore the depths of human experience.

Time By Mati Klarwein

Lost Poets By Mati Klarwein

Annunciation By Mati Klarwein

Sun-Moon By Mati Klarwein

Bitches Brew By Mati Klarwein

Live By Mati Klarwein

Mati Klarwein – Twins

Mati Klarwein Astral Body Awake 1969

Mati Klarwein Yusef Lateef

Mati Klarwein

Mati Klarwein Grain of Sand

Bibliography:

Norman Hathaway and Dan Nadel. The Electric Banana: Masters of Psychedelic Art. Grafiche Damiani, Bologna, Italy. 2001.

www.matiklarweinart.com/

visionaryrevue.com/webtext3/klarwein1.html